A Quote by Catherine Hardwicke
I've worked on really big budget movies as a designer - 'Vanilla Sky,' 'Three Kings;' I've been in that world, and you can just see people get nervous.
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I worked on three independent movies in close succession and I really learned from those directors how to stay on budget, make your days, get it done, keep everyone happy, which is a huge thing in a movie, and to steer the ship.
It can have an enormous effect because big budget movies can have big budget perks, and small budget movies have no perks, but what is the driving force, of course, is the script, and your part in it.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
Look, I've done some low-budget movies and I've done some big-budget movies, and the big-budget movies were always kind of disorganized.
The down-side of these huge-budget movies is that so many people have a hand in them, sometimes they come out a little more vanilla.
I don't normally do big movies. I'm new to this world. And I've always been afraid that jumping onto a big budget film, you would lose the relationships in favour of special effects.
Some of my favorite movies are just movies that are just good stories, and aren't necessarily big budget movies or anything.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I've only been three years in the industry - but I would say from my observations, my personal opinions, that the world in Hollywood and all the big movies has been built up as just white.
Boxers risk a lot in the ring. That's one of the things that attracts me to it. You want to see a knockout but I also really don't want to see people get hurt. It's this constant dilemma when I'm watching boxing. The only times I get nervous is watching a really big fight or when my brother is playing. I get to the stage where I'm actually shaking.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences.
I worked 10 years as a toy designer before I started my career as a fashion designer. It's something I just fell into and really liked.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.
I think that sometimes you don't have the opportunities for some of the most A-list-type movies, big-budget movies. But I think it's important to keep working and make the best of what's available. Because otherwise, what? Are you just going to get bitter and moan? What does my mom always say? "If you can't stand the heat, get out of the kitchen."
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