A Quote by Catherine Hardwicke
Everything is so aggressively marketed at every age: if you're not in Baby Gap, you're not cool. That's how everybody's grown up, so they don't even know it could be another way.
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I didn’t know how I could live with that knowledge, without it eating me up, without it poisoning every happy memory I had of growing up. Without it ruining everything Beck and I had. I didn’t understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
Grown people know that they do not always know the why of things, and even if they think they know, they do not know where and how they got the proof. Hence the irritation they show when children keep on demanding to know if a thing is so and how the grown folks got the proof of it. It is so troublesome because it is disturbing to the pigeonhole way of life.
You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is.
We know how to be doctors, nurses, lawyers. We know how to be tweeters. We know how to be everything. But how do you just be people? How do you be present with one another? How do you be honest with one another? How do you be compassionate towards one another, forgiving towards one another? We know what to do. We don't know what to be, how to be.
I know you know the tale of Baby June You know the way she could deliver a tune She was a killer in a petticoat A little bit of everyone you adore... And if your baby let you down at night, Well Baby June would make it up alright And I was never happier Than in the arms and charms of her
Life begins at six--at least in the minds of six-year-olds. . . . In kindergarten you are the baby. In first grade you put down the baby. . . . Every first grader knows in some osmotic way that this is real life. . . . First grade is the first step on the way to a place in the grown-up world.
Every time I caught a fish, I wondered how something so small could have such clear, pure strength. It kept reminding me of another sensation, from another realm. The fish on the line, I eventually realized, felt like the baby, kicking inside you. Or the shocking, life-hungry pull of the baby on the breast. Perhaps fishing is like quickening for men, a long and patient wait for a few electric moments when they feel connected to another life.
I didn't put out this album because I wanted everybody to know I was grown up. I'm 21 and that's not grown up.
I don't know how we're going to have this baby because I'm in my forties and I can't even remember my first son's name. But I'm going to have another baby because I'm feeling good.
I tell you what it is. It's...when I didn't see you, I thought about you every day, I mean every day in some way or another -" "Same here -" "- even if it was just 'I wish Dexter could see this' or 'where's Dexter now?' or 'Christ, that Dexter, what an idiot', you know what I mean, and seeing you today, well, I thought I'd got you back - my best friend. And now all this, the wedding, the baby - I'm so happy for you, Dex. But it feels like I've lost you again.
Everything was fine, but Weetzie wanted a baby. “How could you want one?” My Secret Agent Lover Man said. “There are way too many babies. And diseases. And nuclear accidents. And crazy psychos. We cant have a baby,” he said.
Grown people know that they do not always know the way of things, and even if they think they know, they do not know where and how they got the proof.
Okay - before I even had a baby, I would dream of the day I could make ponytails on my kid. I don't know why. I somehow got it in my head that it would be such a cool thing.
I made physical objects because I know how to do something on the computer. That struck a chord with me: Most women of my generation have grown up with technology but lack the handmade creative skills of former generations. This is a big opportunity to fill that gap.
Nobody took me too seriously but I was grown up even as a baby.
I've thought it would be cool to have a baby young. You know, be my road dog - like my dogs, they travel the world - but there's always something you have to give up for success. Everything comes at a cost. Just what are you willing to pay for it?
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