A Quote by Catherine Hardwicke
I've had meetings where there were literally, like, 12 angry men in a room and me. And even when everyone shot me down, I somehow dug in one more time.
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There were really a bunch of old, old magic hobbyists at the time, some of them who actually had known [Harry] Houdini. You had to be 14 to go to these meetings, and he snuck me in at 12. It was glorious.
Many psychoanalysts refused to let me speak at their meetings. They were exceptionally vigorous because I had previously been an analyst and they were very angry at my flying the coop.
If our planes were shot down, yes, they's wake me right away. If the other fellows' were shot down, why wake me up?
My poor mum had a lot of problems with me around that time. I was young but I'd been working for years, so if she asked me to clean my room I'd say, 'You can't tell me what to do after I've worked a 12-hour day.' It gave me a power that no one that age should have.
Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper. I didn’t want to write these pages until there were no hard feelings, no sharp ones. I do not have that luxury. I am sad and angry and I want everyone to be alive again. I want more landmarks, less landmines. I want to be grateful but I’m having a hard time with it.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
Without somehow destroying me in the process, how could God reveal himself in a way that would leave no room for doubt? If there were no room for doubt, there would be no room for me.
In the Eighties, the landscape was changing. No one knew if they had a future. It's not like now. There was no satellite. Kids were still out on the streets playing all the time. For me, it was the last great hurrah! People don't take those chances anymore. Everyone's far too reserved. Men look like women, women look like men.
I watched '12 Angry Men' when I was a kid. It blew me away definitely.
I've been to a couple of restaurants in L.A. that were so loud, I left there with a sore throat; you literally could not have a conversation. I think it's very deliberate: There's this idea that somehow it's more fun if there's a roar in the room.
That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.
I was at the end of the studio system so when I walked into movies, I had a magnificent suite in which I had a living room and a kitchen and a complete makeup room. I had everything just for me. With the independents, you're kind of roughing it, literally.
Working in television it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it. You have more time, more room, an ability to reflect on your performance and the character and how much has really been shown, and what you'd like to see. It's nice. You have more breathing room.
All my life, men have told me I wasn't pretty enough - even the men I was dating. And I'd be like, 'Well, why are you with me, then?' It's always been men putting me down just like my dad. To this day when someone says I'm cute, I can't see it. I don't see it no matter what anybody says.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
I’m going to do a lot of weird stuff that’s not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it’s time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
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