A Quote by Catherine Hardwicke

I was always trying to do architectural jam sessions. But it's not quite as easy as singing or playing a guitar, so I would always see wonderful live musicians and just envy them that I wasn't in that medium.
My sister and I - she's a musician - we jam all the time. We always play around for giggles with stuff that seem unconventional or stuff that seems funny. A lot of the stuff sometimes is just a response from jam sessions in her room, so she'll be on the guitar or the keyboard, and we'll just start singing and doing stuff.
In my living room, I was always playing guitar and writing songs and singing them. My dad and I would always sing together - only for friends and family, but always since I was a little girl.
The Great Guitar Escape is built around world-class seminars, concerts and jam sessions. It's a chance to learn and be inspired by some truly amazing musicians. And it's just a great way for everyone to hang out together in a beautiful place.
Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
I always try, when I'm singing songs, to interpret them the way that I would've arranged them. I think about the melody first, and then I pull out my guitar and start singing it.
We grew up with musicians coming over jamming. We had tons of instruments. So holidays were always like, 50 people would come over, and there would be a jam session with everyone playing jazz.
"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.
I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.
When you get to live your dream, with singing and dancing and acting and playing these wonderful stories, you really have already won, and you always have to remember that.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I'm always trying to emulate guitar. Especially when I'm playing the trombone, that's what I think about. Like, I listen to guitar players every day: Warren Haynes, Lenny Kravitz, Prince, different people. And I'm always trying to find out a way how I can get my trombone to sound like that.
I've always loved the guitar. You see Jimi Hendrix playing the guitar with his teeth, and OK, you know you're never going to be able to do that, but I always wanted to play an instrument of some sort.
Some of my biggest moments have been in jam sessions, but I don't want to talk about them. There were always other people involved.
You do, mostly, in track, different sessions, sprinting and medium sessions in different style. You have to see that even if the pace is slow in championships, you can still sprint well and you can still power the last 200, which is always the main part when the race is slow.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
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