A Quote by CeCe Peniston

I got lipo because I felt that that little stomach, no matter how much I was working out, wasn't looking exactly as I wanted it to be. I feel like we all have problem areas on our body, and I just wanted to fix a problem area. I also got lipo underneath my chin and underneath my arms.
If the national government doesn't fix your problem, you've got a problem. You've got to fix it yourself. That's just part of the American way.
Sharks attack surfers because they look like a seal. Apparently, when you're layng on your board and you have your arms and legs hanging off, from underneath you look like a seal. So I just got a picture of a seal and put a red line through it and put it underneath my board.
My chin - I've got another one underneath the first one.
We, the people, gave the marching orders to our democratically-elected officials and instructed them. We wanted out of Vietnam and we got out of Vietnam. We wanted women's right to choose and we got women's right to choose. We got the EPA, we got the Clean Air Act, Water Act, we got rights for workers in the workplace to be protected from dangers. We accomplished pretty much all of what we wanted when we had the courage of our convictions. That is the missing ingredient.
I think women think I'm inspirational because I'm unapologetic. I have cellulite. I have back fat. I've got a thick stomach. But I work my body like I don't because I don't know any other body. I don't know how to feel thin. I just know how to feel like Ashley.
Infinite was me trying to figure out how I wanted my rap style to be, how I wanted to sound on the mic and present myself. It was a growing stage. I felt like Infinite was like a demo that just got pressed up.
Swimming outside the pool is scary. I don't like not knowing what's underneath me - it's quite dark in lakes. I swam in the sea in Australia around the Great Barrier Reef, though, and that was incredible because you could see exactly what was underneath you.
The problem is not unique; the challenge is not unique to South Africa. Other African countries have faced it. But in our case, we have got to solve the problem. You have got an institutional traditional leadership, which functions in a particular way, in for instance, your communal areas.
Feel the energy of your inner body. Immediately mental noise slows down or ceases. Feel it in your hands, your feet, your abdomen, your chest. Feel the life that you are, the life that animates the body. The body then becomes a doorway, so to speak, into a deeper sense of aliveness underneath the fluctuating emotions and underneath your thinking.
I woke up one day and wanted to change my look. And I was like, 'Okay, what are you going to do about it?' I said, 'I'm going lose 30 pounds, I'm going to get a little lipo, and I'm going to get a Monroe piercing, and I'm going to cut my hair. I'm going to get totally wild.'
My cheeks have got slimmer as I've got older and I have to be careful not to lose too much weight because I get hollows underneath my cheekbones, which is ageing.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
I don't think that our problem, our jobs problem, is fundamentally a problem of trade. I think it has much more to do with the fact that we have not sufficiently educated our population. We have not got out of this great recession with adequate stimulus and adequate fiscal and monetary policies over all.
We know we've got a problem attracting to certain areas because of the cost of living, so we're thinking about things from how do we ensure key workers have accessible and affordable housing; also, how do we attract people into teaching as well.
I wanted to learn how the business worked. I wanted to see how people got drafted, how players got traded, how they got picked up in free agency, how the salary cap worked, how do you manage an organization, how do you negotiate contracts. The Bulls gave me an excellent opportunity to answer all the questions that I wanted to ask.
From the moment I got to Hollywood, I've always felt like I never really got to do what I wanted to do. In general, artists feel that you're never really allowed to accomplish what you would like to accomplish because there's just so much of this system that gets in the way; the business gets in the way of the art.
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