A Quote by Chanda Kochhar

As far as investors and customers are concerned, I make it a point to answer each and every piece of mail that comes to me. — © Chanda Kochhar
As far as investors and customers are concerned, I make it a point to answer each and every piece of mail that comes to me.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
Every once in a while, someone will mail me a single popcorn kernel that didn't pop. I'll get out a fresh kernel, tape it to a piece of paper and mail it back to them.
I learned to pick up each piece, one at a time, from my pile of potential matches and try to fit it from any angle into the socket, then discard it and move on. Each failure is meaningless. It's not me, it's the pieces, and I have to, absolutely must, try each and every piece every possible way until I find one that fits. They aren't failures, they're steps, small bits of progress.
The future of communicating with customers rests in engaging with them through every possible channel: phone, e-mail, chat, Web, and social networks. Customers are discussing a company's products and brand in real time. Companies need to join the conversation.
E-mail is far more convenient than the telephone, as far as I'm concerned. I would throw my phone away if I could get away with it.
I mean I appreciate fan mail and that the people like what I am doing but I can't answer it. If I would answer 25 letters a day I would be just a guy answering mail and not an artist anymore.
Me and Nick Diaz hated each other. Nick Diaz used to send me e-mails. He found my e-mail, he talked to one of the MMA journalists at the time, there wasn't many. Gave him my e-mail and he would e-mail me hate mails.
The point really is that a writer tends to write a book that he or she tends to write. It's as simple as that. Of course, it's important to make a living and all that, but the main impulse as far as I'm concerned - and I'm sure as other writers are concerned - is to tell a story that I feel impelled by.
I've learned from numerous sources that e-mail marketing is still far more effective in driving book sales than social media. That's why we all get those e-mail blasts from Amazon every morning.
I have no ghost writers. I personally write every message and every piece of published mail.
After I was released, people used to keep asking me, 'what's it like to be free? And it was very difficult for me to answer. I'd always felt free. As far as my state of mind was concerned, I didn't feel any different...People ask me about what sacrifices I've made. I always answer: I've made no sacrifices, I've made choices.
Never forget that you only have one opportunity to make a first impression - with investors, with customers, with PR, and with marketing.
I answer every single e-mail that comes in myself.
I don't feel like my work is impersonal - it is, in many ways, a reflection upon me - but that's ultimately not the point. I'd rather each piece be seen as part of a larger experience, and that each installation be approached as a point of departure. As open as I am trying to keep things in my practice, I want the audience's experience to be as well. That's what keeps things existing.
Each piece that I put in the street is unique. I never make the same piece twice. For Hong Kong, like for every city where I have worked, I try to adapt my work to the culture and the 'colors' of the city.
This site uses cookies to ensure you get the best experience. More info...
Got it!