Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.
We saw a big bang in PCs; we saw a big bang in the Internet. I believe the next big bang is going to be even bigger. To be ready for that, we need to set the foundation, and that foundation is SoftBank Vision Fund.
If you drive right, and your big is standing to the right, dish and keep going to their big - you grab an arm, maybe pull - so that they can't contest. You only get called for it once in a while.
I don't just train to be a participant. I train to come up big in big moments. That's when I know I've got to roll the sleeves up.
When you have all the bells and whistles - you've got the big, fancy catering, you've got the big, fancy car service and the big, fancy trailer - it makes it very comfortable and everybody's making a lot of money. But that doesn't necessarily mean you're going to end up with a great film.
I’m going to lie this one right on the line, right here, right now: I’m pro big pants. Strident feminism NEEDS big pants. Really big. I’m currently wearing a pair that could have been used as a fire blanket to put out the Great Fire of London at any point during the first 48 hours or so. They extend from the top of my thigh to my belly button, and effectively double up as a second property that I can escape to at weekends. If I were going to run for parliament, it would be solely on a platform of ‘Get Women In Massive Grundie’s’.
I think what's cool about about going on a co-headline tour is everyone's bringing a huge show, so it's not like opening band, opening band, then here's the big show. It's like two big shows.
Donald Trump is going to win. Donald Trump is going to win because in the end, the country is not going to reward big banks and big unions and big bureaucracies and big donors and big corruption by voting for a big liar.
Once we realise that utilitarianism comes with the idea of blameworthy rightdoing (such as when you push a big man onto the tracks in order to save five lives) and blameless wrongdoing (such as when you don't push a big man onto the tracks in order to save five lives), then utilitarianism all of a sudden appears to give the right answers.
I was brought up in a household of chaos and I never felt stable at home. At a really young age, I decided I was never going to feel helpless, I was never going to feel weak around a man, and I was never going to rely on anyone. Independence was a big, big thing for me.
At 16, I walked around knowing I'd get chased and attacked for dressing a certain way - I felt I had an undeniable right to be who I wanted to be. My father said to hit them back, but I was never much good at that. So I developed a big mouth instead of a quick right hook.
You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I think the most-played record in our house was the 'Big Chill' Soundtrack - so Smokey Robinson, Aretha Franklin, the Temptations, Otis Redding. I think that's where I got my love for a good hook, a good soul hook - really smooth and warm and from the heart.
He's a big player, and the big players score the big goals and make the big contributions in the big games. That's what determines a great player. That's what Steven Gerrard is.