A Quote by Chantal Akerman

Have you seen the film Histoires D'Amérique? It's also a mixture of humor and monologue, and it shows how the Jewish humor comes from drama and tragedy. — © Chantal Akerman
Have you seen the film Histoires D'Amérique? It's also a mixture of humor and monologue, and it shows how the Jewish humor comes from drama and tragedy.
I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.
I've inherited a Jewish sensibility and sense of humor from my parents and all those who came before me. All the Jewish comedians, character actors and writers I was exposed to also reminded me of my family in their sense of humor.
An interesting difference between African-American humor and Jewish humor, in it's kind of basic or maybe most austere type form is, African-American humor, some of it comes out of playing the dozens in which you insult the other person or insult the other person's mother, and so much of Jewish humor is like, you're insulting yourself. It's totally self-deprecating.
When I think about Plastic Man, he was genuinely the first funny super hero. I'm obviously attracted to that. There's also this great mixture of tragedy in there, too, that I love. The humor comes from a place of pain.
Within any drama in anyone`s life, there`s always a way to find the humor in it. Without humor no one cares about whatever drama is going on.
There's a tricky tone where you try to get some humor into a movie that's also a tough tale of murder and revenge. You have to ice skate rather carefully between the humor and the action tension part of the drama.
I like telling stories with a sense of humor. But humor can also distance you from the subject you're writing about. I'm interested in using humor as a portal to something a bit more serious.
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
Humor is not a sign of weakness. In fact, humor can be your greatest asset in the face of tragedy.
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.
I think shows that are completely dramatic are a lie. People use humor to cope. That is how we deal with things. In the darkest situations, there's humor. And if you don't show that, you're not being true to real life.
I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor.
So my humor, I'd say, comes from a mixture of lowbrow comedy shows and highbrow theater. It's an interesting mix.
I like dark humor. I think the world is very funny and tragic, and my photographs are basically dark Jewish humor.
If you don't infuse humor into a subject matter, no matter how dark, the audience can't accept the message of a film. It closes them down. Humor can open them up.
Reality - Dreams = Animal Being Reality + Dreams = A Heart-Ache (usually called Idealism) Reality + Humor = Realism (also called Conservatism) Dreams - Humor = Fanaticism Dreams + Humor = Fantasy Reality + Dreams + Humor = Wisdom
This site uses cookies to ensure you get the best experience. More info...
Got it!