A Quote by Chantal Akerman

Lars von Trier is very, very, very clever about women. He gives the woman a space that I don't know any filmmaker does. Because in Breaking The Waves, protagonist Emily Watson is the Christ. Which man is doing that? I don't know any man giving that space to a woman. No one.
If you asked an 18-year-old what they want to do with their life, and the options are 'Transformers' or Lars von Trier, he's probably shipping out for 'Transformers.' If you ask a 26-year-old what he wants to do, 'Transformers' or Lars von Trier, he'd probably pick Lars von Trier. So, my sensibilities are changing as I change.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
I loved working with [ Lars Von Trier], but I've done two films before, so I was quite used to him.He's a man of incredible moods of course, but he's also a hugely perceptive man, and there's no getting away from that. And he's able to put that perception into something like film, so we're very lucky.
I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.
You know what the problem is? You can't put a woman into a man's role. A women's journey in life, I'm not speaking disrespectfully of women and their roles in life, but a woman's journey in life is very different from a man's. That doesn't mean a woman can't do a man's job, but it doesn't mean that a woman should do a man's job the way a man handles it. The things that men question themselves about in life are quite different from the things women question themselves about.
I adored 'Breaking The Waves,' so when Lars von Trier wanted me in 'Dogville,' I was beside myself with joy. He works in a way that nobody I've ever worked with works.
There is a biological power that is intrinsic to the woman, to the female condition. Because you are able to give life. You are the reproducer of the species. Men feel very weak in front of a woman because a woman is capable of eliciting a number of instincts in a man. And that is what has made men very nervous about women.
Lars von Trier is a very good storyteller. He's like an H. C. Andersen for adults.
Lars von Trier, Wim Wenders, Werner Herzog: They all write, which is much better because it's their baby, and they know what they want.
There was a very difficult time when a female hero was a man in a woman's body. 'Hunger Games' really changed that: a woman leading a non-woman's film in the action genre. I think 'Wonder Woman' does that on a very big scale.
The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they alwayshave done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to.
I love Lars von Trier. 'Dogville' is my favourite movie of the last 20 years. 'Nymphomaniac' and 'Melancholia' aren't quite as exciting as 'The Kingdom', 'Breaking the Waves', or 'The Idiots', but I'll always love him for being him.
For the female of the species is more deadly than the male. A woman's guess is much more accurate than a man's certainty. Take my word for it, the silliest woman can manage a clever man; But it takes a very clever woman to manage a fool. I never made a mistake in my life; At least, never one that I couldn't explain away afterwards
As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women because I know what it's like to be a woman, if that makes any sense.
... I had a latent impression that there was something decidedly fine in Mr. Wopsle's elocution - not for old associations' sake, I am afraid, but because it was very slow, very dreary, very up-hill and down-hill, and very unlike any way in which any man in any natural circumstances of life or death ever expressed himself about anything.
If people remember me for any scene in a Lars von Trier film, I'm extremely honoured and forever grateful.
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