A Quote by Charles Ferguson
I sort of plunged into filmmaking. I decided I'd jump off the deep end, so I started thinking about what kind of a movie I should try to make.
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I was excited about the fourth movie I guess conceptually because, what I felt we should do it, we should try to make it a conceptual jump like Terminator did to T2. It was still the Terminator franchise, but it was something kind of bigger and grander.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
I thought I should try something relatively inexpensive, relatively contained, relatively small. I started working on a feature, a film I'd still like to make: a very talky film of people and ideas about our contemporary state with regard to relationships, marriage, sex, and romance. I started trying to educate myself about filmmaking.
I reluctantly signed up for a journalism major, thinking I needed a fall-back way to make money should my career as a novelist fail to take off. As I started to try on journalism, including doing internships and working at the campus paper, I found I actually liked it. So I started to want to be a journalist.
I went to Rwanda with my wife who had been going for the past three summers. She is an art therapist who works with survivors of the genocide. I decided to become a volunteer also, and to teach filmmaking. But thinking about how to approach a class, it made sense to start making a movie there, with the kids.
Challenge yourself, jump off the deep end and learn to swim.
If you only have 10 examples of something, it's going to be hard to make deep learning work. If you have 100,000 things you care about, records or whatever, that's the kind of scale where you should really start thinking about these kinds of techniques.
In a way, putting actors deep into this sort of complicated universe frees them from thinking about who they should be. They just are somebody.
I try to have an open ear, but at the end, it would never change direction to where I think I should go. Because if I listened to everybody else, they're thinking about what's right now or what was the last thing - they're not thinking about what's next.
I know the activists I deal with, we sort of try and check each other to make sure that we haven't gone native, that you come to Washington thinking it's a cesspool, you don't want to end up thinking it's really a hot tub and getting used to it. So that's something one has to keep an eye on all the time.
I usually just pick a genre of movie that I feel like saluting and then go off and come up with something that I can sort of pay homage to. That's the great thing about our show is we've sort of created a landscape for 'Psych' where we're kind of allowed to go off and give shout-outs to movies that we love, genres that we love.
Filmmaking is not a one man show. It is not like I'm thinking something and they are expressing it. I try to pull the actor in and together we try to get the expression. It is not my thinking alone, it is our thinking. The actor also becomes a part of the thought process.
Compared to other bands that have gone off the deep end with their sound, you know, I'm very confident. I did not go off the deep end; it just improved.
I'm trying to make something every time that feels new and surprises people. Hopefully at least one person. But it's not like I turn it off. I don't make a movie and then go back to my normal life. When I'm finishing one movie the next day I'm thinking about the next one.
I started filmmaking when I started surfing, so the two things have been with me since I was 12 years old, so it's sort of been in my bones to make surf movies. I guess every now and then I just crave to do it again.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
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