A Quote by Charles R. Swindoll

Sometimes people can't see past us to hear our message. We never have a second chance to leave a first impression. — © Charles R. Swindoll
Sometimes people can't see past us to hear our message. We never have a second chance to leave a first impression.
You never get a second chance to make a first impression.
I wonder why I never learn my lesson. It's feeling like the second chance and it's the first impression
My audience is comprised of three categories. The first category contains the people who decide after the first five minutes that they've made a mistake and leave. The second category is the people who give the film a chance and leave annoyed after 40 minutes. The third category includes the people that watch the whole film and return to see it again. If I'm able to persuade 33% of the audience to stay, then I can say that I've succeeded.
Without either the first or second amendment, we would have no liberty; the first allows us to find out what's happening, the second allows us to do something about it! The second will be taken away first, followed by the first and then the rest of our freedoms.
There's not too many times you get a chance to make a second first impression.
Our God of Grace often gives us a second chance, but there is no second chance to harvest a ripe crop.
This is our big chance to see what people think of us. The real us. We have to show em there's nothing to be afraid of. If we don't get over our fears, they never will.
You only get one chance to make the first impression. And I made the biggest first impression ever by throwing the Big Show over the top rope.
In the movies first impressions are everything. Or, to put it less drastically, in the movies there are no later impressions without a first impression, because you will have stopped watching. Sometimes a critic persuades you to give an unpromising-looking movie a chance, but the movie had better convey the impression pretty quickly that the critic might be right.
The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them.
We never really learn from the first mistake or the second or third. It only hit us when we're given the last chance.
Some people come into our lives and they move our souls to sing and make our spirits dance. They help us to see that everything on earth is part of the incredibility of life... and that it is always there for us to take of its joy. Some people come into our lives and leave footprints on our hearts and we are never ever the same.
The moment we're born they try to make us cry, and sometimes it seems as though they never stop. Most of us go to our grave with our music still inside of us. Never borrow sorrow from tomorrow! No matter what a man's past may have been, his future is spotless.
Graham Wallas has reminded us that writing as compared with speaking involves an impression at the second remove and reading an impression at the third remove. The voice of a second-rate person is more impressive than the published opinion of superior ability.
This should be the message of Occupy Wall Street: We just want a chance; our government needs to give us a chance.
I think writers tend to hear a different message from the ones our friends and acquaintances intend. We see what's revealed, which makes us dangerous.
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