A Quote by Charles Simic

Wanted: a needle swift enough to sew this poem into a blanket. — © Charles Simic
Wanted: a needle swift enough to sew this poem into a blanket.
I have invited our little seamstress to take her thread and needle and sew our two mouths together.
It is like having a blanket that is too small for the bed, you pull the blanket up to keep your chest warm, and your feet stick out. I cannot buy a bigger blanket because the supermarket is closed. But the blanket I have is made of cashmere. So it's good.
To sew is to pray. Men don't understand this. They see the whole but they don't see the stitches. They don't see the speech of the creator in the work of the needle.
When I was growing up, all the women in my house were using needles. I've always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness. It is never aggressive, it's not a pin.
I say, ‘You should blanket me’ or ‘you should blanket her’, meaning like a blanket is a blessing. It’s a way of showing love and caring.
I sew my own shoes - I don't trust anyone else to sew the ribbons exactly how I like them.
I think Walt Whitman went to the help wanted section and found a squib that said "Wanted: National Poet." And he was innocent enough to believe there really was such a job. And if he could just write a poem that incorporated everything he felt and suspected and hoped for from America that he would have the position.
I like to sew, and I am into bending metal and making industrial jewelry. I sew a lot of my own clothes and customize stuff.
I think that poetry is an act of celebration, that anytime you're writing a poem, it means that you're celebrating something, even if it's a sad poem, if it's an angry poem, a political poem or anything at all. The fact that you're taking the time and energy to pick up this thing and hold it to the light, and say, "Let's take some time to consider this," means that you've deemed it worthy enough to spend time on - which, in my opinion, is celebrating.
The poem builds in my mind and sits there, as if in a register, until the poem, or a piece of a longer poem, is finished enough to write down. I can hold several lines in my head for quite some time, but as soon as they are written down, the register clears, as it were, and I have to work with what is on the paper.
No poem, not even Shakespeare or Milton or Chaucer, is ever strong enough to totally exclude every crucial precursor text or poem.
I have always wanted to midcourse-correct (or undermine) in a poem, and let that be the turn. That poem is to do with displacement, with almosts - even the rhymes are intentionally off.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
I told her I wanted a plastic surgeon to sew me up, and I wanted her to freeze my ovaries, so I could harvest the eggs and have a biological child through a surrogate.
I love to sew in the hotel room. I even sew in the locker room sometimes.
Do not wait for a poem; a poem is too fast for you. Do not wait for the poem; run with the poem and then write the poem.
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