A Quote by Charles Tomlinson

There are portraits and still-lifes
And the first, because 'human'
Does not excel the second — © Charles Tomlinson
There are portraits and still-lifes And the first, because 'human' Does not excel the second
All human excellence is but comparative — there are persons who excel us, as much as we fancy we excel the meanest.
All human excellence is but comparative. There may be persons who excel us, as much as we fancy we excel the meanest.
In my teens I fancied myself an artist; I hung out with the eccentric art teacher at my high school, painted still lifes and portraits and landscapes in watercolor and acrylics, took private lessons, won some blue ribbons for my earnest renderings. My lack of talent did little to dampen my enthusiasm. In college I thought I'd continue, but, like Salieri, I quickly realized that while I had the ability to appreciate art, I wasn't actually very good.
Men have various subjects in which they may excel, or at least would be thought to excel, and though they love to hear justice done to them where they know they excel, yet they are most and best flattered upon those points where they wish to excel and yet are doubtful whether they do or not.
She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?
Bacon's portraits are an interrogation on the limits of the self. Up to what degree of distortion does an individual still remain himself? To what degree of distortion does a beloved person still remain a beloved person? For how long does a cherished face growing remote through illness, through madness, through hatred, through death still remain recognizable? Where is the border beyond which a self ceases to be a self?
Everyone should want to excel in life. You should never take the desire to excel away from the human race.
First things first has always been my motto, mostly because it makes absolutely no sense - after all, if first things were second or third, they wouldn't be first things, would they? Still, cliches exist to comfort the feeble minded, not to provide any actual meaning.
I love painting still lifes because there's a feeling of musical, flowing experience. The drawing doesn't matter as much - what you're really after is a feeling of clarity and beauty.
What is first love worth, except to prepare for a second? What does second love bring? Only regret for the first.
To romp along the connected rooftops and fire escapes of Chicagos second city of garages was my young lifes passion.
It is pleasant to be virtuous and good, because that is to excel many others; it is pleasant to grow better, because that is to excel ourselves; it is pleasant to mortify and subdue our lusts, because that is victory; it is pleasant to command our appetites and passions, and to keep them in due order within the bounds of reason and religion, because this is empire.
Our cover has always been really important. For those of you who haven’t seen itCharles Burns, who is a graphic artist, does four portraits, so it’s split into quadrants and there’s four heads, basically—portraits of people. We’ve actually often thought and freaked out, what if something happened to Charles Burns? Because he’s so identified with the cover of our magazine, I don’t know what we would do if anything happened to Charles Burns.
Without either the first or second amendment, we would have no liberty; the first allows us to find out what's happening, the second allows us to do something about it! The second will be taken away first, followed by the first and then the rest of our freedoms.
People of genius do not excel in any profession because they work in it, they work in it because they excel.
... landscapes or still-lifes I paint in between the abstract works; they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
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