A Quote by Charlie Murphy
I went to jail for a year when I was 17. When I got out, my mother took me to the recruiting office, and I spent the next six years in the Navy.
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When I was 17, I was told I had the choice of enlisting in the Navy or going to jail, so I spent the next three years in the Navy.
My mother sent me and my sisters to Italy every year for language school, so I spent a lot of my teenage years in Florence and Rome. After university I went to Harvard for a year, dropped out, and then went to Paris, where I ended up staying 10 years. It's different from being American: If you're British, you're expected to live at the far corners.
My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
My mother gave me very good advice years ago. I grew up in the Great Depression and she always told me to get a good little basic black dress - well-cut, well-made, good fabric - and it could take me through everything. I could go to the office in the morning and stay out all day in the same dress. Just by changing accessories, because they are so transformative, you can make six different outfits. I find that very useful. My mother worshipped at the altar of accessories and I'm an accessory freak, as everybody knows. That, I got from my mother.
It was entirely due to my mother [a devout Buddhist] and her kindness and perseverance that the family was saved from utter ruin. For a period of 17 years--from the age of 9 until I was 25 years old--my mother never spent a day free from domestic difficulties.
I loved it, it's such fun. I like that people are seeing it and then talking about it. Like when I took my son and his friends to see Napoleon Dynamite last year, we spent the next six weeks trying to explain it.
I did 20 years in the Navy. I joined the Navy right out of high school and went through Navy boot camp, went to SEAL training, got done with that, and then showed up at a SEAL team, where I did 20 years. That was pretty much my whole adult life.
After I went through two years of not winning an event, what kept me going was winning one more major. Once I won that last U.S. Open, I spent the next six months trying to figure out what was next. Slowly my passion for the sport just vanished. I had nothing left to prove.
For a period of 17 years - from the age of 9 until I was 25 years old - my mother never spent a day free from domestic difficulties.
During the six years I spent writing my novel 'The Incarnations,' I lived in seven cities in four countries. I moved in and out of 17 different houses and flats in Beijing, Seoul, Colorado, Boston, Leeds, Washington D.C., London and Shenzhen.
When I was six years old, a children's agent moved in next door to us, sent me out on a commercial audition, and I got the job.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
I went to Glenalmond and got the piss taken out of me for my Glasgow accent. Then I spent five years at this very posh school, came out sounding like Prince Charles, which you have to do in order to survive, and then I got called Lord Fauntleroy for the first six months at art school.
When I was a kid, I got caught shoplifting by a store security guard in Ellensburg. The next time I saw that store guard was when I got thrown in jail again - this time for not paying court fees. The guy happened to be in jail, too, right next to me. That's what Eastern Washington is like - you never get too far away from anybody.
I've been doing short-form writing for a decade, and six years ago I signed with an agent, and we've been working on figuring out what my book would be. I was always so embarrassed that it took me so long to figure it out, but I think, in retrospect, I just wasn't ready to write a book six years ago. I wasn't confident enough as a writer and I wasn't coherent enough in my worldview. It just took this long for me to be a mature enough writer and be ready to do it.
I had a teacher at school who said, 'We are going to do a play next year, and you're in it.' He said, 'You should try out for the Royal Academy as an actor.' I did and got in. I was 17. My mum wasn't too happy, but it worked out OK.
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