A Quote by Charlotte Dujardin

I think it's really strange for somebody that's probably never been in the public eye. All of a sudden I was 'big time' - boom, it all just happened. — © Charlotte Dujardin
I think it's really strange for somebody that's probably never been in the public eye. All of a sudden I was 'big time' - boom, it all just happened.
I was just going at this career - boom, boom, boom! Then all of a sudden, at 38, Oh, my God - I forgot to get married!
If I had more recreation time I would be able to step back and reflect on how life has changed. But it has been like a constant... boom, boom, boom, boom, boom!
I'm a pretty strange guy, so it takes a pretty strange thing to make me think that somebody else is strange. I'm really looking forward to something strange happening to me, but it hasn't really happened yet. The strangest thing someone ever told me was that they were watching our show, and they said they should have worn diapers.
In New York, no one really cares who the hell you are. It's strange to be in the public eye where people have a perception of who you are, when they have never even met you.
Just the life of doing what I do, being in the public eye, it's a stressful environment... You feel strange, self-aware, very foolish. Your third eye clicks on, just to try to maintain a healthy sense of perspective, and you think, 'What am I doing here? I'm just making a movie, and people want all these things from me.'
They're just talking. They're flirting kind of like they're strangers, but at the same time they also seem to know each other really well. I don't get it." "So they're taking it slow. What's wrong with that?" Bill asked. "Kids today, they just want things to go fast-- boom boom BOOM.
I think to give something a chance, to really get to know somebody, you want to do it out of the public eye.
I didn't know about the Bond girl thing. I was approached very quickly, boom, boom, boom, it happened.
My experience of being on the public platform got more multi-faceted, multi-dimensional, and my place in the public eye, I think, has always been a little more than just what is going on in that time in my life.
I'm just really trying to say what I really mean, which is: 'Your eye's on the prize, your eye's on the future. It's nice to know that a lot of wonderful things have happened to your life and that so much of it has been successful. That's great, but the work is really what makes it fun - and that has to be the future.'
I didn't have time to worry about the great big scar on my face, I just had to be relieved I hadn't been stabbed in the eye or the neck. I had to accept what had happened and move on and football helped me to do that.
Overnight success just doesn't happen. You've got to put your time in ... you're up and down, all of a sudden, it just clicks. And I think that's what's happened to me since I got to Montreal. And I'm proud of the things we've been able to accomplish ... we've all made each other great.
Boom, I move to L.A. after doing 'Aftershock,' and I've been actually working here. So it's all been 'boom'; it's all been 'boom' everything. It's so exciting. It's been amazing. I'm a very lucky girl.
I'm never really conscious of saying, "I'm going to take on a specific role to combat a certain image in the public eye." I think that's pretty manipulative and transparent to the public anyway.
I am a light person. I think of myself with a shield, a protective shield around me. And I think of bad things bouncing off it. Boom, boom, boom, ba-boom, ba- boom!
For 10 years, I'd been told I was always going to be a catalogue girl, never a cover girl. Well, I got with IMG and did five covers in a year, boom, boom, boom.
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