A Quote by Charlotte Moss

I'm more influenced by people's attitudes and spirits than by their particular style. Whether it's Elsie de Wolfe or Pauline de Rothschild, I always admire women who had a vision and stuck to it. Because ultimately, the way you live has to be a reflection of you.
Cars are the most central thing in America, in a lot of ways. They've probably influenced the way we live more than anything else, and yet every really big problem - whether it's the environment or who dictates the international economy because of oil - is all tied to cars. Ultimately, cars are bad for civilization. I don't know if they'll end us.
The vision of the left, full of envy and resentment, takes its worst toll on those at the bottom - whether black or white - who find in that paranoid vision an excuse for counterproductive and ultimately self-destructive attitudes and behavior.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
I don't really have a style icon but I really admire the way people dress like Gaga, Rihanna and Gwen Stefani. It's good to be inspired by singers who write music and dress incredibly - rather than models and people in the fashion industry who dress immaculately anyway because it's their style.
You find the most in not any particular denomination specifically. It's the style of worship. So if we have what we call a charismatic worship style, that means upbeat music and a more lively style of preaching usually, people are allowed to clap, say "Amen," whether they're mainline Protestant, conservative Protestant, and Catholics, whatever, they're much more likely to be integrated.
I don't admire one particular style, but for evening events, I always look to Grace Kelly for inspiration.
I admire the Elsie Tanners and Barbara Windsors of the world: people who have crawled back from the abyss. I'm quite camp in that respect.
I think ultimately, people are selfish in that department [blues], in a good way - the reason we're attracted to art is because it somehow reflects us. And I think, ultimately, we're a tribal people by nature. We're not individualistic. We almost like to hear that there's other people in a worse state than us. Sometimes even more than we like hearing there are people in better states than us.
It's hard not to question whether the harsh verdict of Winnie Mandela is a reflection of discomfort with women warriors or, more broadly, with the militant ethos that ultimately became a foil for the popularized representation of Nelson Mandela as the open-armed father of a non-racial nation.
What would ultimately de-escalate the challenges of society would be for people to get educated, especially for more women to be educated because when more women are educated, they invest much more of their time and income in ensuring that the next generation would perform even more than they have done.
I don't think I've got an innate sense of style, but I guess I'm influenced by those I love and admire. You hope that you combine those influences in a way that becomes your own.
Who cares what a man's style is, so it is intelligible,--as intelligible as his thought. Literally and really, the style is no more than the stylus, the pen he writes with; and it is not worth scraping and polishing, and gilding, unless it will write his thoughts the better for it. It is something for use, and not to look at. The question for us is, not whether Pope had a fine style, wrote with a peacock's feather, but whether he uttered useful thoughts.
I was very influenced by comics. The drawing style, definitely, I was interested in. My style of drawing is largely a comic style, but it's also much more obvious than comics.
Your outer world of attitudes, wealth, work, relationships and health will always be a reflection of your inner attitudes of mind.
'Camp' is a vision of the world in terms of style - but a particular style. It is the love of the exaggerated.
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line, it is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work. What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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