A Quote by Chris Connelly
It's no secret that many tales of tween stardom have had unhappy endings.
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In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
Unhappy endings can be as cheap as happy endings.
The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.
I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.
Unhappy endings are just as important as happy endings. They’re an efficient way of transmitting vital Darwinian information. Your brain needs them to make maps of the world, maps that let you know what sorts of people and situations to avoid.
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
In my lifetime, I've discovered a great many incredibly talented individuals. Some have achieved stardom. Simultaneously, I've seen many dreams shattered, egos destroyed and lives changed forever. The end destination may well be fame and fortune, but the road to stardom is littered with broken hearts.
Ireland is where strange tales begin and happy endings are possible.
I'm not born again, I'm not Kabbalah, God forbid, but I did have an experience hitting 30 that I needed to lean on something that assured me that everything is going to be okay. I had to regain a lot of my belief in fairy tales, in happy endings.
I like colorful tales with black beginnings and stormy middles and cloudless blue-sky endings. But any story will do.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
Childhood is less clear to me than to many people: when it ended I turned my face away from it for no reason that I know about, certainly without the usual reason of unhappy memories. For many years that worried me, but then I discovered that the tales of former children are seldom to be trusted. Some people supply too many past victories or pleasures with which to comfort themselves, and other people cling to pains, real and imagined, to excuse what they have become.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
If you wish for something hard enough, the fairy tales teach us, you can get it in the end. But it's hardly ever the way you thought it would be, and the endings aren't always happy ones.
And in real life endings aren't always neat, whether they're happy endings, or whether they're sad endings.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
