A Quote by Chris March
'Project Runway' made my name more high-profile. I've gotten to work with a lot of different celebrity clients that I never would have otherwise.
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The only thing that's different between high profile or celebrity divorces is that you have to do all you can to keep your client and the details out of the media.
You want to have enough of a profile to be able to do all the work you can, but at the same time you want to have your own space. But there are a lot of actors who achieve it, a lot of movie stars even, people like Emily Watson and Cate Blanchett. They seem to be able to carry on with their lives and still produce wonderful, high-profile work.
I have always believed that the more educated the clients are, the easier they are to work with. Clients with a knowledge of decorating, and an ability to articulate what they want from the finished project, make the designer's job easier.
Seeing that 'Project Runway' sign at the end of the runway just made me, like, realize, like, 'Wow, I'm on this show. I'm living every designer's dream right now.'
A lot of women I worked with didn't respect their clients. I had some clients who didn't respect me, but still you somehow made it work.
I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
When I did a high-profile project, I was not the developer of it.
The City project is much more than about signing a single player with a strong name, that would eventually cost a lot more.
When a high-profile celebrity sits down with you for an interview, there's no obligation for them to give you anything.
Some things are very low profile, but if they excite me creatively, I accept them. Sometimes there are high-profile projects, and you have to do it. We all have human limitations. It is a painful decision to turn things down. Even accepting 'Slumdog Millionaire' was a decision that I had to sacrifice another project.
I'm urging NASA to foster the development of what I call 'runway landers.' No, that's not the name of a high stakes gambler from Vegas. It's a type of spacecraft that flies to orbit like the retiring Shuttles but then glides to a landing like an airplane on a runway. Just like the Shuttles do.
Coming to LA and working with brands connected with celebrity was a very different experience. I thought it was interesting to work with someone like Justin Timberlake and to work with the phenomenon of celebrity in the U.S., and also to take on the challenge of taking a celebrity brand and adding credibility to it.
I do feel like a fraud a lot of the time because I've never been interested in people who say 'I'm a writer', 'I'm an artist'. Too much is made of the role and not enough of the work. We are such a celebrity-driven age and a status-driven age, that the status becomes more important than the actual work.
Interestingly enough, my more high-profile things are in uniform. But if you look at my full body of work, there's a lot of stuff that's not in uniform. But I do a lot of stuff in the service, and I think that's just how I'm built physically. It just serves the roles.
One of the problems with computers, particularly for the older people, is they were befuddled by them, and the computers have gotten better. They have gotten easier to use. They have gotten less expensive. The software interfaces have made things a lot more accessible
One of the problems with computers, particularly for the older people, is they were befuddled by them, and the computers have gotten better. They have gotten easier to use. They have gotten less expensive. The software interfaces have made things a lot more accessible.
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