A Quote by Chris Wedge
For me, part of the fascination with making animation is you go to a place; it's a complete immersion in someone else's fantasy.
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You knew that she wanted me to marry somebody else,and you never told me?" He appeared confused by my reaction. "It wasn't my place." "Maybe it wasn't your place as a tracker, but as the guy making out with me in this bed, yeah,I think it was your place to tell me that I'm supposed to marry someone else.
I grew up watching classic animation, and I have always felt that the roots of animation is in fantasy and taking it in places that you can't go, any other way.
My dad always told me that I should have been an actress, but that wasn't really my main focus. I really love to be the director, the person in charge, making my fantasy come to life. But if I love someone else's fantasy, I'll definitely help them bring theirs to life, too.
If I can do anything in this time of my career, I want to make it easier for other actresses and girls who are growing up to go, 'I get to be a part of a comedy or an action film or a romantic comedy or a thriller or just a romance, without having to wind up with someone to complete us.' I complete me. I just got lucky that, after I completed myself, I met someone who could tolerate me.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Maybe it's my freak flag that, when I go to a haunted mansion, I would rather blend in with them and be part of the story rather than have someone jump out at me. To be part of the fantasy seems way more interesting to me, to embed myself in there and just drop in, in that way.
I do enjoy a bit of the fantasy world that anime provides, but at the same time, I need the reality in it. I'm very much a stickler about the actual animation. I'm not into the cutesy, stereotypical animation with big eyes and a small chin. That annoys the hell out of me.
Looking at it, I started crying. Maybe it was knowing that I had to give up the fantasy, the enormous life consuming fantasy , that someone or something was going to do this for me – the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms.
My early experiences in animation taught me that following someone else is not a great idea.
Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said, smiling. "You can hold on to me as long as you want. Let go of the pain, Sookie. Let go. You need to drift away." It was the first time I had relinquished my will to someone else. As I looked at him, it became easy, and I retreated from the suffering and uncertainty of this strange place.
When I'm a part of someone else's creative process, it's all about facilitating their ideas and hopefully bringing their perspective and making it a part of a song.
Yes, I'm a complete itinerant. I keep making attempts not to be, but then circumstances make me uproot and go somewhere else again. It's not the worst thing in the world at all; I love it. In fact, I'm probably horribly addicted to it.
A portrait photographer depends upon another person to complete his picture. The subject imagined, which in a sense is me, must be discovered in someone else willing to take part in a fiction he cannot possibly know about.
Let someone else take your place in line, Let someone else be first. Let someone else achieve realization before you.
Be independent and don't try to think someone is going to save you or look to someone else to make you happy or look to someone else to complete you.
I have a confession. I don't enjoy animation. I have no idea why because I absolutely adore doing voiceovers. I think part of me feels that animation has put an actor out of work.
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