A Quote by Chris Wedge
I remember feeling that technology was like trying to draw with your foot. In a ski boot. It was the most indirect way to work imaginable, but the potential had us all excited. I started in stop motion.
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We use technology in service of the art, as a storytelling tool - and if we want to do something that's never been done we have to invent the technology. 'ParaNorman' represents the realization of stop-motion's potential.
I started going on ski trips at senior school. I can't remember exactly where but we skied in the Tirol in Austria a couple of times and also went to Val d'Isère in France. When I was 15, rugby took over and there wasn't time to ski any more. I didn't ski again until I was 33.
[W]e must stop trying to protect our planet from every imaginable, exaggerated or imaginary risk. And we must stop trying to protect it on the backs, and the graves, of he nation's and world's most powerless and impoverished people.
We must stop trying to protect our planet from every imaginable, exaggerated or imaginary risk. And we must stop trying to protect it on the backs, and the graves, of the nation's and world's most powerless and impoverished people.
I never want to feel complacent, and I had started to, a little bit. I had started to feel like "I have this thing I can do, it's worked a few times," but not only does that get boring, but you feel stagnant and unproductive. So I was feeling a lack of creativity and motivation, so I started making a more conscious choice to grow personally. It wasn't even an image-conscious thing, like, "I don't want people to think this way about me." It was really just a way to keep myself energized and feel excited about this thing I love doing. Like I went to couples therapy or something.
Campaign boot camp started as an opportunity to work in a grassroots way with people who were running for Congress. Colleagues on the Democratic National Committee were batting around different possibilities. I said, 'We should have boot camps.'
In 8th grade I started doing theatre and I remember it was as though I had taken a trip to a foreign land that I had never seen before yet felt completely at home. I remember feeling a genuine wave of happiness and of feeling complete.
I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.
Walking in stop-motion animation is probably the most difficult thing you can do... The way that they have these puppets connect to the set is they actually drill a hole in the set, and they put a threaded rod up through that hole and screw it into the bottom of their foot, and that keeps them in place.
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
Most people work fifty weeks a year so they can do this the other 2. Well the smart ones live in a ski resort, where the boss lets them have powder snow days off. And almost forty feet of snow falls every winter thats a lot of days off. A lot of doing what you moved here to do. Most major ski resorts are now so big that regardles of what kind ofjob you have in a city there's probably a job almost exactly like yours in a ski rsort like this. So quit your job and rent that U-haul trailer now so next winter this can be you. Not you just sitting there watching this and wishing that this was you.
I learned to ski in the Dolomites at the age of five. Ski lifts didn't exist then, so I did everything on foot.
I had to think about ankle torsion, where the screws are on the ski, how that affects the forces going into the ski and how the ski bends, your leverage points. It was a challenge. I was having the greatest time, making the mistakes, crashing.
As an actor, you're just trying to get work in any medium. I remember when I started out, I did motion capture for video games, and then I did a terrible Best Buy commercial for Best Buy employees.
I've been trying to learn to ski for years, but there's something about being 6-foot-5 and falling that's not appealing.
In 2012, I was invited to a ski event called the Hartford Ski Spectacular to learn how to sit-ski for the first time. I loved it, but it was not pretty - I was not good. I didn't know how to stop, so I kept throwing myself on the ground.
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