A Quote by Chris Wedge

If you win the Oscar, you get to go into just about anybody's office for a month. — © Chris Wedge
If you win the Oscar, you get to go into just about anybody's office for a month.
You win the Oscar, you get to go into just about anybody's office for a month. I had a lot of meetings.
You don't just win an Oscar because you're a great actor. You campaign for that Oscar: you engage with it; you go on the David Letterman show, and you do the interviews, and that's how you get out there.
Everyone in the movie industry wants to win an Oscar. I don't think that's why you make movies. But winning an Oscar is not just about making a great movie, unfortunately. It's also having a good Oscar campaign.
I get offered varied parts, often super sexy roles. But I still think it's an issue to find the good scripts. It's a myth that you win an Oscar and you get more opportunities, and this doesn't just go for me.
Black History Month is dedicated to heroes that paved the way for Black people. It's a month that's very imperative because it gives those who lack the knowledge of our heroes a chance to gain insight. It's not just about the month, it's about the years that it took for us to get to this one month and it's beyond placing a value on how much Black History Month really means to me.
If my primary purpose here at Indiana is to go out and win ballgames, I can probably do that as well as anybody can. I would just cheat, get some money from a lot of people around Indianapolis who want to run the operation that way, and just go out and get the best basketball players I can. Then we'd beat everybody.
It [winning Oscar] is the most important event in the career of an actor, an extraordinary moment, beautiful. Some people live their whole life just to win an Oscar.
I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?
If you put on an Oscar Wilde [play], it will interest those who are interested in Oscar Wilde. But it won't interest anybody else, because they won't get that wit.
About a month ago some kids in my neighborhood were playing hide-and-go-seek and one of them ended up in an abandoned refrigerator. It's all anybody talked about for weeks. I said, 'Who cares? How many kids you know get to die a winner?
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
If you go into 'The Ultimate Fighter' and you're just gonna go in there to get just one fight and win... the premise is to win the whole thing. When I went in, I wanted to win the thing or be cut.
And the whole Oscar thing, that is just surreal: you spend months and months doing promotion, and then come back to reality with this golden thing in your hands. You put it in the office and then you just have to look at it sitting on the shelf. And, after about two weeks, you go: 'What is that doing there?'
I never planned to win an Oscar. When I auditioned for Ray, I was just thinking about what a great project it would be.
I never planned to win an Oscar. When I auditioned for 'Ray,' I was just thinking about what a great project it would be.
The one thing about the heavyweight division or, actually, just being in the UFC, anybody can win, and anybody can lose. You're competing with the best in the world.
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