A Quote by Chrissy Teigen
Amanda [Bynes] and I are the same age so I grew up watching her and really looking up to her and for me, to see this path that's happening and to watch it, is kind of really affecting me in ways that I didn't think it would. It's weird to be in a situation where you can't help. I obviously don't know her at all but I want to bring her back and I want to make her happy and healthy for some reason and she's not there and we can't do anything to help so it kind of sucks. All we're doing is hurting it.
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I want a girl because I want to bring her up so that she shan't make the mistakes I've made. When I look back upon the girl I was I hate myself. But I never had a chance. I'm going to bring up my daughter so that she's free and can stand on her own feet. I´m not going to bring a child into the world, and love her, and bring her up, just so that some man may want to sleep with her so much that he's willing to provide her with board and lodging for the rest of her life.
Amanda Bynes and I have become close since filming 'Hairspray.' It's so weird because I grew up watching her.
I don't want to point out her flaws, but if I see her going on a self-destructive path, isn't it up to me as her friend to stop her?
If you really want to know someone, you must see their emotions off guard. That's how I know Joan Crawford could never have been cruel to her children. I really knew her, when she was still Billie, as she liked to be called in the early days. In a relationship as close as ours, I had the chance to see her in every kind of personal situation.
I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further.
And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.
Sometimes she teased me that she’d eventually catch up to me in age and be my older sibling. Looking at her now, with that determined glint in her eyes and the confidence in her voice, I could almost believe her
Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.
I run behind her, letting her stay a few steps ahead of me so if she happens to fall I’ll be there to laugh at her first and then help her up afterwards.
I want my little girl to tell me who she is so I can encourage her and not impose my desires for her on her life. I want her to dream big and to know that if she is willing to earn it, she can have anything - and become anything.
Cam held her closer. "Marry me, Amelia. You're what I want. You're my fate." One hand slid to the back of her head, gripping the braids and ribbons to keep her mouth upturned. "Say yes." He nibbled at her lips, licked at them, opened them. He kissed her until she writhed in his arms, her pulse racing. "Say it, Amelia, and save me from ever having to spend a night with another woman. I'll sleep indoors. I'll get a haircut. God help me, I think I'd even carry a pocket watch if it pleased you.
On Sharon Stone (Quick and the Dead): 'She was instrumental about me getting my first American job. Absolutely, without her support, it would not have happened. At the same time, however, was it really about me or her wanting to flex her producerial muscles? I don't want to sound ungallant about the situation. But I didn't find that in working with her, that we clicked on any other level.
O let me lead her gently o'er the brook, Watch her half-smiling lips and downward look; O let me for one moment touch her wrist; Let me one moment to her breathing list; And as she leaves me, may she often turn Her fair eyes looking through her locks auburne.
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Think about the number of times someone will say to herself, "I want to get out of this circumstance, but I'm too afraid. I'll lie about how happy I am in this marriage, and I'll put up a front." But she's betraying everything that's in her heart. She's making choices that are harming her, and that's why she's hurting. Her intuition is trying to tell her that.
She should want to see me. If I had said how I feel about her, she would miss me even more. All this time, I've been breaking her heart by keeping her wait, yet I can't still appear before her eyes. I never want to see her cry anymore. Even if it means I no longer exist in her heart. How immature of me, right? -Kudou Shinichi
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