A Quote by Christie Brinkley

I never planned to be a model at all. I moved to Paris to study art, and I was there working as an artist, taking classes, and I had a little sick dog that I was using up all of my money to try and heal. It was right at that point that this photographer, Errol Sawyer, saw me at the phoning office and convinced me to let him take my photo.
My teacher introduced me to this photographer Eugène Atget. He was a French photographer in the late 1800s up until 1927 in Paris. He didn't consider himself an artist, but he was probably one of the artists of the 20th century. This guy documented all of Paris during those years. It's unbelievable. The books are phenomenal. The Museum of Modern Art has all his stuff now and [American photographer] Berenice Abbott saved his work. Not very much is known about his life, but the work is unreal and it totally spoke to me. He was the only artist for a number of years that I cared about at all.
A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.
When I gave up my office job and became a full-time professional photographer, my fortunes certainly improved markedly. We moved away from the council estate into our own house and for the first time in my life, I had a little spare money.
I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.
I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
I moved to California in 2011 to be a writer. A family friend told me to take acting classes so I could do commercials and actually make a little money.
My mother was asked to be a model when she was younger, but my father had not let her, so she was quite keen on me becoming a model. I just went off without telling my dad. I took off to Paris and never came back, but when I became a success and started making money, he was very proud of me.
I had my dysfunctions, but music gave me peace and joy. I never felt in tune with the world. My parents always saw me as an artist, and that greatly influenced me. My art was my autonomy.
I've realised that there's art in everything we do in London. Suddenly, a photo of two boys sitting on a wall in tracksuits with a dog can go online and be considered a sick photo. That's what we've done to London.
Lance Armstrong showed up, and I started talking to him; I saw all these people with cancer who followed him to Paris for the Tour de France, and I saw the difference he was making in their lives. That put it together for me...having it be not so much about me, but [my being] a vehicle for it.
Working as a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you.
'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
But 'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
If you study a great work of art, you'll probably find the artist was a kind of genius. And geniuses are different to you and me. So let's have no talk of temperamental, self-absorbed and petulant babies. Being a good artist is the toughest job you could pick, and you have to be a little nuts to take it on. I love them all.
I was brought up on art. My father thought I had a great hand at art and sent me to art school. But he did not want me to become a photographer.
California always had been a dream to me. I guess growing up in the 70s with movies like Vanishing Point, The Getaway, and Badlands formed the need for me to leave Germany for California. I'd never even visited before I moved there. When I moved to Los Angeles in 1996 right away I felt at home. Everything was in place and the dream was alive.
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