A Quote by Christina Aguilera

I have more than one side of me that likes to get out on a stage and sing. — © Christina Aguilera
I have more than one side of me that likes to get out on a stage and sing.
The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.
LeBron doesn't have any weaknesses, or he doesn't have a glaring weakness. So you've got to pick up on the smaller things to try to make him uncomfortable. Like knowing which side he likes to shoot threes off the dribble, which side he likes to drive. One side he'll drive left more often, and the other side he'll drive right more often.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
Go on stage and stomp my foot on stage and play my guitar and sing my guts out because I love to entertain people. That's what makes me happy.
I get on stage and realize what God has given me, and not just I sing some songs and tell a couple stories, or something that God's done. It's more like, 'OK, guys. I want to encourage you to go out to this world and show love and truth.'
Parents don't get that, though. They don't understand about the fragility of teen friendships. They don't understand how easy it is for things to break apart, how someone you thought would be by your side forever can just disappear, or turn on you, or decide she likes someone more than she likes you. Parents always talk about romantic relationships being so ephemeral and fleeting in high school. What they don't get is that friendships can be the same way.
In Smooth Talk it was a much more intuitive search - I was only 17 at the time, and I wasn't aware, as women are when they get a little older, that there's always a side of a woman that likes a man from the other side of the tracks. We all have an attraction to what's different from us.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
When I go on the road now, which is less than before, but still more than I'd like to, I think of myself primarily as a singer. Not a songwriter, not a celebrity, just a man who likes to sing.
Do I want someone to get more hits than me? No. Do I want someone to hit more home runs than me? No. Do I want someone to have more RBI than me? No. I get a kick out of seeing the all-time leaders and my name's on top of every one, with the exception of strikeouts. I get a kick out of that.
I don't feed off of the boos, I don't feed off anything like that... No one likes to get booed, no one likes to get cussed out, no one likes to get yelled at by 20,000 fans when you go places.
There's one side of me that just wants to get up on stage and be punk and go crazy and stuff like that; and there's also this other side of me that's like a grandma - really into arts and crafts.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
It takes a man a long time to learn all the lessons of all of his mistakes. They say there are two sides to everything. But there is only one side to the stock market; and it is not the bull side or the bear side, but the right side. It took me longer to get that general principle fixed firmly in my mind than it did most of the more technical phases of the game of stock speculation.
I'm a Gemini, so there's two people in me. Straight up. There's the nerd who is totally zoned out in the studio, EQ-ing this kick drum, raising this snare one decibel, or swapping this high hat out for another. Then there's the other side who's a performer. I have to go out on stage and be electric, a fire cracker, just run around the stage and give a show.
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