A Quote by Christina Baldwin

Most of us have developed a fairly extensive vocabulary for describing pain, as though the journal were a doctor requiring much detail to make the correct diagnosis. The roundness of the spiritual journey cannot be expressed without developing an equally extensive vocabulary for talking to ourselves and others about the nature of wonder, joy, ecstasy, love, transfiguration.
I never really thought I had an extensive vocabulary like that, and I'm not an avid reader. I didn't read a lot growing up - at all.
Devising a vocabulary for gardening is like devising a vocabulary for sex. There are the correct Latin names, but most people invent euphemisms. Those who refer to plants by Latin name are considered more expert, if a little pedantic.
The increasing technicality of the terminology employed is also a serious difficulty. It has become necessary to learn an extensive vocabulary before a book in even a limited department of science can be consulted with much profit. This change, of course, has its advantages for the initiated, in securing precision and concisement of statement; but it tends to narrow the field in which an investigator can labour, and it cannot fail to become, in the future, a serious impediment to wide inductive generalisations.
As you can appreciate over my lifetime I've developed a large vocabulary of sounds each requiring certain physical techniques often combined with a specific effect box.
We haven't developed a progressive vocabulary. We say something is "public," but we just mean it's viewable online. Or we say it's "open," but we just mean it's accessible. I would like for us to think about terms critically and maybe change our vocabulary a bit. What if pubic actually meant publicly-funded, or social meant socialized.
Writers and musicians know well the importance of extensive reading for successful writing or extensive listening for musical composition. Likewise, visual artists... understand that successful artistic creativity depends upon extensive visual exposure.
I don't have an extensive background in theory, but the amount of it that I've learned, I've applied, so I have a vocabulary of melodic and rhythmic relationships. And that's all theory is - it's symbols to help you identify those relationships.
Science gives us a powerful vocabulary, and it is impossible to produce a vocabulary with which one can only say nice things.
The world cannot be discovered by a journey of miles...only by a spiritual journey...by which we arrive at the ground at our feet, and learn to be at home. The ultimate lesson all of us have to learn is unconditional love, which includes not only others but ourselves as well.
Compassion is a piece of vocabulary that could change us if we truly let it sink into the standards to which we hold ourselves and others.
One of the problems with watching TV is that you've got a fairly low level of language operating all the time. Quite a small vocabulary and really no conceptual or abstract thinking. That's an issue. If you've got a wide vocabulary, you can learn. The complexities of grammar, in themselves, force you to think about time in a particular way. Force you to widen your outlook on the world.
Love, the beauty of it, the joy of it and yes, even the pain of it, is the most incredible gift to give and to receive as a human being. And we deserve to experience love fully, equally, without shame and without compromise.
As photographers, we have to find our own identity, our own voice, our own vocabulary. And my question all the time is whether this vocabulary is limited, like our own vocabulary that goes from A to Zed, or whether this vocabulary can carry on growing. And to me, I hope that it carries on growing.
To be awake and harmonious creates the possibility for ecstasy to happen. Ecstasy means the ultimate joy, inexpressible; no words are adequate to say anything about it. And when one has attained to ecstasy, when one has known the ultimate peak of joy, compassion comes as a consequence. When you have that joy, you like to share it; you cannot avoid sharing, sharing is inevitable.
In 1939 I wrote my first article ("Intime banaliteter" [Intimate banalities] in the journal Helhesten) in which I expressed my love for sofa painting, and for the last twenty years I have been preoccupied with the idea of rendering homage to it. Thus I act with full responsibility and after extensive reflection. Only my current situation has enabled me to accomplish the expensive task of demonstrating that the preferred sustenance of painting is painting.
The developing world can just do things that are extensive or horizontal, that basically copy. The developed world needs to do things that are intensive or vertical, where we take our civilization to the next level.
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