A Quote by Christopher Guest

I don't know if I'd mastered that documentary format, but I wanted to move on from it. — © Christopher Guest
I don't know if I'd mastered that documentary format, but I wanted to move on from it.
I am a good model because I have mastered my craft. I have accepted my body, I know it well and I know how to move in front of the camera.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
Remember: TV is a format, film is a format, and books are a format.
We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format, using their talent, craft and imagination to provide us with some of the most innovative filmmaking out there today.
You have different stages in your career where you have different things to prove. And early on, like most people who move to Nashville, I wanted to prove that I belonged here, that I belonged in this format, that I had a love for it.
Getting recognized on the street is fine, but I never really wanted to be famous. I just wanted to have mastered the art of sketch comedy.
When you see the documentary, you'll see that there were parallels. Michael and I both wanted Daniel Craig, and it was the same as it was for Cubby and Harry when they wanted Sean [Connery]. The studio wanted a star and wanted an American, and wanted this and that, but they determined, "No, it's Sean Connery."
I used to be focused on being the dopest rapper in the game, and then once that became what I was, I wanted something different, and I wanted to become the best businessman in the game. I wanted to learn how to master the business like I mastered the rap.
I think the reality-show format is brilliant, has endless possibilities. It's documentary! But unfortunately, it's rarely executed well. So it becomes just a scripted show, but without actors.
Bizarrely funny... Rarely is a documentary as well attuned to its subject as Howard Brookner's BURROUGHS, which captures as much about the life, work and sensibility of its subject as its 86 minute format allows.
When you're making a real documentary, you shoot it and the movie happens. You don't make - this sounds corny - you don't make a documentary, a documentary makes you. It really does.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
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