A Quote by Christopher Guest

Many times I'll improvise it, which isn't done a lot in movies or commercials. But a lot of my commercials are improvised. — © Christopher Guest
Many times I'll improvise it, which isn't done a lot in movies or commercials. But a lot of my commercials are improvised.
A lot of people are like, "You're doing commercials?" And I honestly feel like those Sierra Mist commercials are better than a lot of sitcoms I get offered. It's hard work, and I'm paid a lot of money, and I do it because I love the soda.
When I moved to New York I started to do a lot of TV commercials. It just kind of naturally evolved from still photography to commercials.
A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.
I had done a few commercials here and there, but I was never super lucky in commercials.
I made quite a lot of money in commercials and I decided when I got out of school to take singing lessons so I could get into singing commercials, too.
A lot of consumers actively enjoy advertising, especially fashion print ads and clever TV commercials. The nostalgic cable channel TVLand features not only vintage shows but also vintage commercials.
I did a lot of commercials starting in about '75, yeah. Well, not 'a lot'; I never was a big old commercial gal, but I made a good living. I didn't immediately make 'a living' at commercials; the first year I made maybe a living was about '80. I had a great year in '85. I had a nice little supplement.
I actually did a lot of improvised movies or movies that were partially improvised.
The rule was, the kids in this agency had to do 15 commercials or something before they sent them out on a theatrical audition, for a television show. And I had only done two commercials.
I think people really appreciate clever commercials, as do I. I think they're very entertaining. You just have to wade through all the garbage. That's one of the reasons people watch the Super Bowl. A lot of them watch it to see the commercials and not the actual game.
My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.
I started finding humor in everything. I used to watch a lot of TV, and I finally figured I didn't need to watch TV to find funny stuff. I just watch the commercials. I mean, the commercials just blew my mind.
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.
I was the singing voice of a cartoon character. I did dog food commercials. I did a lot of commercials, actually, and helped pay my rent and my classes. Then I'd get one good line or two good scenes. I was building my career and building my own experience and learning technically what it was like to be on a set and all of those things.
Nobody watches commercials if you ask them. Nevertheless, they watch commercials.
I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
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