With 'The Office' and 'Extras' I've always snuck in a little bit of heart and pathos - and drama, which is fun.
The first role as "Fashion Show Guy" should not be on my IMDb anymore. That's the sort of thing you put on your IMDb when you have no credits and you really just want to have a line on your résumé. I had just gotten to New York and there was a massive open call for extras for Sex and the City. One of my college roommates' buddies - there was some connection - she worked in the office and saw my name in the massive stack of randoms just trying to be on the show, which was a big hit. She's like, "I know this dude. Let's throw him in there."
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here, you can see everybody wants his break.
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here (in Hollywood), you can see everybody wants his break.
Our challenge with "The Office" and "Extras" was to get it completely scripted but to find a cast that could make it look like they were saying it for the first time.
I see my real job now as - never mind 'The Office,' 'Extras,' film career, Emmys - I want everyone in the world to know who Karl Pilkington is.
Usually, the extras have a different mentality. I had the mentality of an artist, because I was a 'ballet-rina.' But most extras are out to make a fast buck for nothing. They're 'atmosphere.'
I always do a little bit of improv. I did some of 'The Office,' a tiny bit in 'Extras,' a bit more in 'Derek.'
Two days before I got the audition for 'Extras,' I was offered a theatre role, and I asked my husband, Terry, whether I should take it or not. He said, 'No, wait and see what else comes in.' Lo and behold, along came 'Extras.' Now that was lucky!
The thing about that too is that we had the same extras everyday. It was such a community. It was like a microcosmic little town. We were like all little towns people with extras and a crew.
I don't care whether people say, ''The Office' is rubbish, 'Extras' is worse, 'Flanimals' is a waste of time. He's not funny; he never has been. I hate him.' I don't mind that at all. In fact, not only do I expect it, I celebrate it, because I think the haters are really important.
Nature can put on a thrilling show. The stage is vast, the lighting is dramatic, the extras are innumerable, and the budget for special effects is absolutely unlimited.
I don't know we have a method. We show up at the office. Is that a method? That's about the extent to which it's been formalized, asystematised. We show up at the office and talk, talk a scene through.
We need more of the Office Desk and less of the Show Window in politics. Let men in office substitute the midnight oil for the limelight.
Everything has happened so fast for me that I sometimes can't take it all in. I'm a huge 'Friends' fan, and meeting Matthew Perry in L.A., where he was as keen to talk to me about 'Extras' as I was to him about 'Friends,' was amazing.
I liked 'Serious Men,' and 'Scam 1992' is amazing, what a show! I also watched 'Comedy Couple,' that too was amazing.