A Quote by Christopher Guest
My daughter recommended Chris O'Dowd to me after seeing him in 'Bridesmaids,' so I watched that and his sitcom, 'The IT Crowd.' When I was over in London, we met up, and I knew immediately he was the right person.
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I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
I'm a big fan of 'The IT Crowd.' That's where I discovered Chris O'Dowd.
Chris was a friend of mine, I loved him. I didn't see him for 18 months before he died, but I'd met him several times after the accident. What was remarkable was his personal growth in his interior life.
Chris O'Dowd's a legend, isn't he? I like him.
I think that when [Charles] Dickens met Nelly [Ternan] it unleashed this sort of carnal, anarchic, cruel energy within him, and literally after she met him he changed his whole life - he separated from [his wife] Catherine, he stopped all the children from seeing her and went on this bitter rampage.
My feet are killing me." "I knew somebody who had feet like that. They'd walk all over him. Archie Kashanian was his name. He used to wake up with footprints all over his chest, all over his face. It was the death of him, finally.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
We had to do something at [a festival in Washington, D.C.]. I remember Chris Martin, by then we all knew him, there were certain people who were regulars. He would say, "Oh, my God, you guys, I think I'm going to throw up." It was a daytime festival, and they went on right after some really heavy band, and he was saying, "I don't think I can do this. I think I'm going to throw up." He was in the bathroom thinking he was going to be sick. He said, "They're going to hate us." In fact, they hated them. They hated Coldplay - did not go over well. His instincts were correct.
The first time I faced him I watched him take that easy windup and then something went past me that made me flinch. The thing just hissed with danger. We couldn't touch him... Every one of us knew we'd met the most powerful arm ever turned loose in a ball park.
Chris Cooper once told me to never have any regrets. After Chris said that to me, I walk into every scene thinking, 'exhaust every possibility.' Once you get to a certain place, it's like you just deliver everything you've got. Don't have any regrets. It pops up in my mind over and over and over again.
He [God] watched over me before I knew him, and before I learned sense or even distinguished between good and evil, and he protected me, and consoled me as a father would his son.
Through our long career we never got to work together until 2013 when we signed 'Club 60.' Until then I always liked him from afar. I knew Farooque Sahab was a decent person, a warm person, but it was only after I met him during this shoot that I realized what an enormously nice and genuine person he was.
There was a very small crowd - minuscule compared to the crowd that he gathered later - at a private home in Los Angeles. And we were standing on the back patio, waiting for him. And he came through the house, saw me and immediately put his hand up in the Vulcan gesture. He said, 'They told me you were here.' We had a wonderful, brief conversation and I said, 'It would be logical if you would become president.'
I was blessed enough to meet Pope John Paul when I was about 19 or 20 years old in the Vatican; I had that privilege, .. My mother took me to visit him and I remember distinctly his incredible charisma and personal charm and his warmth and compassion. You felt it immediately the minute you met him, and that spirit I came away with, having met the man, is something that I've been constantly working on to infuse the character with, so that we can have his spirit and his love and his compassion, because that's really the essence of the man.
I knew the man up until our divorce - after that I didn't know the man, but it didn't stop me caring about him and worrying because of the complete change that I saw in him. He'd lost his sense of humour and he got aggressive; he wasn't for the world any more, he was just for Yoko. Before that he opened his arms and embraced the world with his wit and humour - afterwards he was a completely different kind of person.
After a prosperous, but to me very wearisome, voyage, we came at last into port. Immediately on landing I got together my few effects; and, squeezing myself through the crowd, went into the nearest and humblest inn which first met my gaze.
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