A Quote by Christopher Lasch

It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times -- the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie -- seem attractive by comparison.
All that makes earlier times seem simpler is our ignorance of their complexities.
I think that humans have a huge capacity to carry pain and sadness. There are things that haunt us our entire lives; we are unable to let them go. The good times seem almost effervescent and dreamlike in comparison with the times that didn't go so well.
Never, if you can possibly help it, write a novel. It is, in the first place, a thoroughly unsocial act. It makes one obnoxious to one's family and to one's friends. One sits about for many weeks, months, even years, in the worst cases, in a state of stupefaction.
Merely watching a romantic comedy causes relationship satisfaction to plummet. Apparently, the bitter realization that maybe it could happen to us, but it obviously hasn't and it probably never will, makes our lives seem unbearably grim in comparison.
The ANC was the product of a much earlier South Africa, a gradualist and non-tribal multi-racial organisation, driven to violence by the intransigence of the Afrikaner Nationalist Government, obsessed with improbable ideas of revolution.
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
In earlier cultures with pagan belief systems, light and dark were celebrated equally, people were around death a lot. In contemporary Western culture, we don't have that, and horror is a place you can be immersed in it.
The religious superstition is encouraged by means of the institution of churches, processions, monuments, festivities....The so-called clergy stupefy the masses....They befog the people and keep them in an eternal condition of stupefaction.
That's beautiful,' Valkyrie said, looking at it. Isn't it? This necklace has cost two very fine men their lives. At times, I wear it in tribute to their sacrifice. Other times, I wear it because it goes with this skirt.
As a horror movie fan, I was very obsessed with horror films. Still am. I love the genre. For me, horror films are opera, and they are... instead of consumption killing off the young lovers, it's Jason Voorhees or Michael Myers. It is when the stakes are at their absolute largest in a story: whether somebody is going to live or die. In a way, it's just holding up a mirror to life.
The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, culture. It's an old ploy of the bourgeoisie. They keep a standing art to defend their collapsing culture.
People can get obsessed with romance, they can get obsessed with political paranoia, they can get obsessed with horror. It's isn't the fault of the subject matter that creates the obsession, I don't think.
Many people think of our times as being the last before the end of the world. The evidence of horror all around us makes this seem possible. But isn't that an idea of only minor importance? Doesn't every human being, no matter which era he lives in, always have to reckon with being accountable to God at any moment? Can I know whether I'll be alive tomorrow morning? A bomb could destroy all of us tonight. And then my guilt would not be one bit less than if I perished together with the arth and the stars.
I've been asked countless times, 'Why are you drawn to horror films? Why do you think women are drawn to horror films?' And it's because, in a way, it's one of the few genres that tells it like it is. A lot of times, women do feel like they're running for their lives somehow.
Marx's Kapital is not a treatise on socialism; it is a gerrymand against the bourgeoisie. It was supposed to be written for the working class, but the working man respects the bourgeoisie and wants to be a bourgeoisie. Marx never got a hold of him for a moment. It was the revolting sons of the bourgeoisie itself, like myself, that painted the flag red. The middle and upper classes are the revolutionary element in society. The proletariat is the conservative element.
We have a market-driven society so obsessed with buying and selling and obsessed with power and pleasure and property.
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