A Quote by Christopher Lee
I think acting is a mixture of instinct, imagination and inventiveness. All you can learn as an actor is basic technique.
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Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
I gravitated to acting out of a mixture of instinct, naivete and opportunity.
I think the secret of great acting is that you have to bring your imagination to the party. You have to have a great imagination and you have to bring it every day when you're working. Your imagination and your skills as an actor are what see you through, not what you're wearing or where you are.
I have acting technique; I have singing technique; I don't have a writing technique to fall back on.
It is the same actor in theatre and cinema, just the technique of acting changes.
Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
I'm not a trained actor. I have neither read acting books nor gone to acting school. But I have certain fundamentals on how I approach a character; the basic skeleton of my preparation is based on observations from real life.
When you're acting, it's all about you and the person in front of you, and I think in life we forget to apply the same technique, and we get caught up in the panic of what we're trying to do - how overwhelmingly daunting the task of trying to become an actor is.
I'm not a method actor because it refers to a certain kind or technique of acting that I have studied about, and I know I'm not one of them.
The best option that you can have as an actor is pure instinct and you should be able to protect your instinct. Information can either cloud your instinct or aid it.
I think it makes such a huge difference when the director has acting experience as well because it just means that he not only has a view of the film as a whole and the intentions of the scene in terms of the audience, he also has an actor's instinct of how to communicate something to us.
Nobody taught Picasso how to paint - he learned for himself. And nobody can teach you to be a producer. You can learn the mechanics, but you can't learn what's right about a script or a director or an actor. That comes from instinct and intuition. It comes from inside you.
The basic essential of a great actor is that he loves himself in acting.
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