A Quote by Christopher Lloyd
I don't remember that I ever really went all out to come up with a costume or a persona that could compete with everyone around me. I didn't know what to do. I found Halloween scary for just that fact - it meant that I had pressure to get up and be scary, makeup and all that. That was pretty horrifying for me.
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When I was a kid my family was really poor and I remember one Halloween I wanted to dress up really scary and my parents came home with a duck costume. I wore that costume for years! I hated it.
Halloween is all about being bold, daring, and creative! You get to be someone else for the night thanks to makeup and a costume. I pretty much do that on the daily, so I am not that big on Halloween, but I do appreciate a good costume and some incredible makeup.
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
The biggest surprise was a picture my mom sent me, just about the time that we were about to wrap up the book, of me as a 5-year-old dressed in my first Halloween costume that she made for me. I said, "What's this? I never saw this photo." And she said, "We made you this black-and-orange Halloween costume out of crepe paper" - we were too poor to have fabric back then - "and you wanted to go as the Queen Of Halloween." And I was like, "What?" And she said, "Yeah, the Princess Of Halloween, the Queen Of Halloween, something like that.
If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.
What is scary to me is silly to somebody else. CG isn't scary to me. It's like comedy - comedy and horror are quite similar, in that there'll always be somebody who'll say, 'I don't think that was funny.' And it's the same with things that are meant to be scary.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
There were rumors in the air that all these different clubs were looking at me but I didn't know which specific clubs. No one told me anything. And then I got a message: 'Bayern Munich want to meet you.' I was like: 'Oh my god. Really?' It was both exciting and scary. I just had to prove to myself that I could compete at this level.
I used to be the kind of person who needed to have a lot of people around. That's where I found my serenity. I needed to have everyone around so I could have my hands and my mind in different places because that's what would calm me down. But now, I just want to be by myself. It's a good but scary place to be.
I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam
I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam.
So what if my face is falling apart? I don't give a damn. Anyway, it gives me character. Everyone thinks that they can stay pretty forever but some come out of Beverly Hills surgeries looking scary to me.
Becoming baseball analyst was really important for me to not just be one of the first, but to literally break open the door and come in and stay, so that we could start inviting our friends and everyone, like, Come on. The door is open now. I am so proud of the fact that I put that pressure on myself: Alright, Jess, you've got a lot of women on your back right now and it's on you, so don't screw it up. I put that pressure on myself on purpose, so I'd realize it's not just about me, it's about a whole gender.
For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to hit the audience hard.
My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating; I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
It is scary to write - period - for me, but once you get past the idea that it's scary to write, I still can only be who I am. As a writer, my job, to me, is to expose myself - to really sort of dig in and find out who I am and then put it on the page.
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