A Quote by Christopher McQuarrie

While I was a voracious movie-goer as a boy, I never put writing and films together in my mind. — © Christopher McQuarrie
While I was a voracious movie-goer as a boy, I never put writing and films together in my mind.
The average movie-goer in this country sees six films in a year. That's one every two months. What the studios are trying to do is make sure it's their movie.
Honestly, till the time each and every movie-goer knows about me, I will not stop doing multiple films a year.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
The person who goes to the Troma movie knows that he or she may love the Troma movie or, he or she may hate the Troma movie; but the movie goer knows that he or she will never forget the Troma movie.
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
When I was writing Dune there was no room in my mind for concerns about the book's success or failure. I was concerned only with the writing. Six years of research had preceded the day I sat down to put the story together, and the interweaving of the many plot layers I had planned required a degree of concentration I had never before experienced.
I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.
I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist
I never, ever drink while writing. Never have from the start, and I'm happy that I never have to. A lot of my stuff is plot-driven and mathematical, and I think you need a clean and sober mind to pin down the logistics of that.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I'm not a big movie-goer. I just feel like I'm watching work.
I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
It takes a while to get a movie together, and they dont start talking books until the movie is close to being finished.
Once the script is done, I put it aside for a month. I start thinking of all the films that have influenced me, which I have liked for different reasons, and not necessarily the look, but films that have moved me. Some very strange films came to mind.
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