A Quote by Christopher McQuarrie

What makes a movie now is a package, a brand, a remake or some preexisting material. — © Christopher McQuarrie
What makes a movie now is a package, a brand, a remake or some preexisting material.
I'm not the worlds biggest remake guy, meaning finding titles and saying, "Hey it's got some brand awareness, let's just make a movie."
What makes the BJP or its government of Modi a brand for the elections - it is some content that makes the brand. Hollowness cannot create a brand, chest-thumping can't create a brand. Ultimately, the quality of the product creates a brand.
One of the consequences of if the Affordable Care Act is repealed, is that all of us now are at risk of being a preexisting - of having a preexisting condition waiting to happen. Life, increasingly, is a preexisting condition waiting to happen, now that we have more and more of this data available.
In a movie, you're raw material, just a hue of some color and the director makes the painting.
I decided to remake 'Sairat' and contacted Nitin Keni of Zee Studios with a plan to remake the movie in all south Indian languages.
It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
In Africa, you cannot come into a comfortable material lifestyle without going through Christ. So many Africans say, "I'll take the whole package. That way I'm sure I'll get what I want." This is the compromise the rising urban class of Africa makes. Christianity is not seen as a soul-transforming device capable of producing redemption, but as a source of substantial material gratification.
We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.
I did Kushi Kushiga,' the remake of Chronic Bachelor;' Kalyana Ramudu,' which is the remake of Kalyanaraman;' and also Software Ganda' in Kannada, the remake of My Boss.'
I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.
I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.
I don't think it's sacrilegious to remake any movie, including a good or even great movie.
Gee whiz, I know that some movie stars don't like to be bothered, but I don't mind. I think it's part of the package, and it's not a bother.
With any movie that gets remade, whether I like the remake or not, I'm glad that I can still go watch the original that I love. If the remake is offering something different, I really value that because I'm having a new experience and adding something new to my life.
I've remade a few movies and they all have one thing in common: great endings. If you're going to remake something, make sure that ending is tight. It's a little less challenging, if you have a great ending. If you don't have a great ending, don't remake the movie.
If I were to remake a movie, I'd love to remake Halloween 3 Season of the Witch because even though it's a very flawed film, at its core is a brilliant idea: An evil toymaker is set to kill all the children of the world on Halloween night - and I think that's absolutely fantastic. So whoever has the rights can give me a call.
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