A Quote by Christopher Meledandri

Everybody has a wicked side, whether they are six or sixty, and yet so often storytelling draws a sharp line between good and evil. — © Christopher Meledandri
Everybody has a wicked side, whether they are six or sixty, and yet so often storytelling draws a sharp line between good and evil.
We all like to think that the line between good and evil is impermeable--that people who do terrible things, such as commit murder, treason, or kidnapping, are on the evil side of this line, and the rest of us could never cross it. But the Stanford Prison Experiment and the Milgram studies revealed the permeability of that line. Some people are on the good side only because situations have never coerced or seduced them to cross over.
Whether for good or evil, it is sadly inevitable that all political leadership requires the artifices of theatrical illusion. In the politics of a democracy, the shortest distance between two points is often a crooked line.
There are transitional forms between the metals and non-metals; between chemical combinations and simple mixtures, between animals and plants, between phanerogams and cryptogams, and between mammals and birds [...]. The improbability may henceforth be taken for granted of finding in Nature a sharp cleavage between all that is masculine on the one side and all that is feminine on the other; or that any living being is so simple in this respect that it can be put wholly on one side, or wholly on the other, of the line.
The world is made up of good and evil, and everybody has their own take, and everybody thinks they are on the good side, and a very few, select group of us will admit that we come from the dark side.
There is a vast difference between success at twenty-five and success at sixty. At sixty, nobody envies you. Instead, everybody rejoices generously, sincerely, in your good fortune.
Classical tragedy was the war between good and evil. We wanted evil to be defeated and good to be victorious. But the battle in modern tragedy is between good and good. And no matter which side wins, we'll still be heartbroken.
The line separating good and evil passes not through states, nor between classes, nor between political parties either - but right through every human heart - and through all human hearts. This line shifts. Inside us, it oscillates with the years. And even within hearts overwhelmed by evil, one small bridgehead of good is retained.
What are the values that give meaning? What is the line that you will never cross, because on this side you're good, and on this side you're evil.
If time is not real, then the dividing line between this world and eternity, between suffering and bliss, between good and evil, is also an illusion.
Doing things the way you see it, going by your own heart and soul, that is pure artistic integrity. Whether the hair is six or sixty inches long, the eyes have make-up or not, the riffs are in 'E' or 'F' sharp, the amps are Marshall or not, all those things don't matter if you are doing it for the right reason, which to me means doing it for yourself!!
The contest is not between us and them, but between good and evil, and if those who would fight evil adopt the ways of evil, evil wins.
A master in the art of living draws no sharp distinction between work and play.
What 'True Blood' does really well is that it balances on the line between good and evil - you blur the distinction between the two.
What True Blood does really well is that it balances on the line between good and evil - you blur the distinction between the two.
The true roll in determing to embrace or reject anything is not whether it have any evil in it but whether it have more of evil than of good. There are few things wholly evil or wholly good.
You can compromise between good, better, and best, and you can compromise between bad and worse and terrible. But you can't compromise between good and evil. And now people look at the other side as a completely different kind of animal and say, 'They are taking the country down the road to purgatory.' It's complete intolerance.
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