A Quote by Christopher Miller

There's some central relationship in every movie, and that's what stories are. — © Christopher Miller
There's some central relationship in every movie, and that's what stories are.
Every garden scheme should have a backbone, a central idea beautifully phrased. Every wall, path, stone and flower should have its relationship to the central idea.
Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.
Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.
I figured out I wanted to tell stories in college. I'm an only child who moved around a lot growing up, and I really feel like it prepared me to be a storyteller - to make up stories and pretend to be every hero from every movie and TV show as a kid. So it was a natural progression.
There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day. . . . The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end.
The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.
You do not need to be loved, not at the cost of yourself. The single relationship that is truly central and crucial in a life is the relationship to the self.
Some day, I'm in a horror movie, and some days I'm in, like, a sweet, independent feature about relationship.
I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.
The truth is that every single relationship is very complex and full of contradictions; as you get into a more mature relationship, you realize that the contrasts are part of the fabric of every substantive relationship.
I can sort of do what I want. Maybe I have to work harder to prove myself in some new relationship because they've heard some wacky stories about me. But at least I can get the meeting.
Growing up, my favorite movie was 'The Lion King.' I used to watch it every day and create these extravagant stories with my Barbies and stuffed animals. My dad says I would say the entire movie out loud, and it's still the one VHS that I have.
Every movie I do is challenging for me. There is some element of imaginative that you wouldn't have in a typical movie.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
That's what the leadership was teaching me, day by day: that the self-interest I was supposed to be looking for extended well beyond the immediacy of issues, that beneath the small talk and sketchy biographies and received opinions, people carried with them some central explanation of themselves. Stories full of terror and wonder, studded with events that still haunted or inspired them. Sacred stories.
I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.
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