A Quote by Christopher Miller
When I was a kid on the playground, fights were about who got to play Han Solo. He's just one of the best characters ever created.
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I feel like the character of Han Solo is irreverent. A very serious, precious story about Han Solo would not be that enjoyable.
When I was a kid, I used to pretend I was Han Solo all the time. Running around with my fingers pretending they were a blaster.
You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know." "I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh. "Well, I'm not the Princess Leia," he said. "Don't get so hung up on gender roles," Eleanor said.” ... “You can be Han Solo," he said, kissing her throat. "And I'll be Boba Fett. I'll cross the sky for you.
Han Solo is more interesting than Superman because he's flawed. Superman's flaw is kryptonite, and that's it. He can make time go backwards, for God's sake, but with Han Solo or Indiana Jones, there's a bit of humanity there.
The last three movies I've done, I played a cowboy, then I played a soldier, and now I play Han Solo. So the little kid in me is having a real joyride.
As a kid, you obviously dream of being a professional footballer. I would watch players like Ronaldo of Brazil and pretend to be him in the playground. But I don't think about trying to become one of the best in the world or anything like that. I just play football.
I do often feel that the single greatest thing about my job is that I don't have a boss. I'm like an overweight Han Solo: I take orders from just one person - me.
I mean, it's fine when you're a kid and someone runs into the playground and goes, 'I've got this great game of pretend,' and you play... As an actor, getting to play, getting to use your imagination and be childish - it is weird but it's wonderful.
To me, little Mike Wazowski is one of the best characters I ever got to play because he was funny. He was outrageous. He got angry. He was romantic. He was a full, well-rounded character.
I always wanted Han Solo's confidence and swagger. My personality is way more C-3PO, but Han was always who I wanted to be.
I don't watch a lot of featherweight fights yet some of those fights are the best fights ever.
I created my family with the people I met in the theater and escaped in the stories I told and the characters I got a chance to play. It's just always felt like home.
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
I worked with some of the best actors I've ever worked with: Mel Blanc and Don Messick. They could play a scene against themselves. Think of the characters that Mel created, and they're as good or better than any performance anyone has ever given. I mean: Daffy Duck! Think of the specific voice Mel gave Daffy Duck or Bugs Bunny or Porky Pig... It's just astonishing.
People have to see play as more important than what it currently is. We don't want to get boxed into thinking play only happens on a playground. The best type of play is all kinds of play.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
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