A Quote by Christopher Nolan
Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing.
Related Quotes
I think every film is somehow a political film. You show a perspective and a world that has logic, and that logic is inserted into a political environment, and it means something. Yes, why not?
I can't wake up every day and not thank Sundance. They're a great beacon of light for any independent film. Just to have a film that you made shown on a screen for an audience in a theater is beyond me, so I owe them everything in the world.
I don't have any great detail or logic or exact point that I look for in a film. It's just if I get a good sense from it and I feel that there is something interesting that we may be able to do with it, then I just kind of go for it.
Logic is not a body of doctrine, but a mirror-image of the world. Logic is transcendental.
We live in such an image-heavy world that not seeing yourself in that landscape can really make it tough to feel human, to feel like you are part of the world.
My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
Neither Aristotelian nor Russellian rules give the exact logic of any expression of ordinary language; for ordinary language has no exact logic.
I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same - the same number, in the same sequence, with the same sounds - every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with.
Every spirit builds itself a house; and beyond its house, a world; and beyond its world a heaven. Know then, that the world exists for you: build, therefore, your own world.
My interest is in completing an image that is spectacular beyond belief. My fidelity is to the image and the art and not to the bragging rights of making every stroke on every flower. I'm realistic.
Drugs took me to places; they were like portals. It's kind of a cliché, but they were like portals to altered states of consciousness into ways of imagining the world, or seeing a world beyond this world, or seeing a world beyond this world that I might not have gotten to unless I discovered meditation and a very deep, intense spiritual path based on contemplation and meditation.
Every good film is a bit like a dream, when you come away from it. That's what you should aspire to, rather than some social document. I want to create a little world that will stay with the audience.
Is an audience open to seeing a film that isn't what they expect when they see a film that's been adapted from a children's book?
I tend not to think about audience when I'm writing. Many people who read "The Giver" now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
I tend not to think about audience when I'm writing. Many people who read 'The Giver' now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
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