A Quote by Christopher Nolan
I never meet anybody who actually likes the format, and it’s always a source of great concern to me when you’re charging a higher price for something that nobody seems to really say they have any great love for.
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It's a conversation that nobody really likes to have, and it seems that we never can get to a solution with it and something horrific happens. We all stand back and say, "How could we let that happen?" and then it goes away and we move on.
Love is power, the purest power and the greatest power: Love is God. Nothing can be higher than that. But this power is not a desire to enslave others, this power is not a destructive force. This power is the very source of creation. This power is creativity. And this power will transform you totally into a new being. It has no concern with anybody. Its whole concern is to bring your seeds to their ultimate flowering.
The only way a work of art can become great is for one to acknowledge that it doesn't belong to anybody. The greatness is in constantly giving back, coming to an acknowledgment of the source. Look back to the source of any individual, any process, any set of materials. If the individual personality can relinquish its insistence on concepts like this is mine, I did it, this is original, nobody else has done it, it goes straight for greatness or the essential spirit.
I hate to say it, but the truth is that the upscale line is where I get respect as a designer. The higher the price range, the higher the respect level from the industry, even though it's much easier to make a great $500 dress than a great $100 dress.
I've been thinking about it a great deal, and it seems to me that although any one sixpence is as good as any other sixpence, not twenty lambs would do instead of one sheep whose face you knew. Somehow, when once you've looked into anybody's eyes, right deep down into them, I mean, nobody will do for that one any more . Nobody, ever so beautiful or so good, will make up for that one going out of sight.
I'm not a network executive, but it seems to be a time when networks take more of a gamble with higher-concept shows. And so, it's fun to be on something that's original, that's finding viewership, that's finding a great audience, and really distinguishing itself. Summer's a great place to do that.
A great story poorly told doesn't do anybody any good at all, and nobody wants to hear it, and nobody wants to read it. The craft of it is really more important than the subject matter.
All my big heroes are literary, writers. I'd love to meet Jimmy Hendrix or John Coltrane, but I'd much rather meet Thomas Wolfe, or F. Scott Fitzgerald. Words and books have always meant a lot to me. That someone can take words and string them together to where they will move me is just a hell of a thing. It's amazing to me; more amazing to me than music or painting. It's always been the written word or the spoken word, like a great lecture or a great lyric, or a great poem. To me it's just amazing. And I always aspire toward capturing that, or my version of it.
I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed.
'Dancing with the Stars' is a great format for us. It's a format we license from the BBC, so that can't travel for us, but we consider it a great success. 'Desperate Housewives,' on the other hand, a huge success for us internationally. 'Missing' has actually sold to 80 territories before it's even gone on the air.
I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.
In Great Britain the price of food is at a higher level than in any other country, and consequently, the British artisan labours at a disadvantage in proportion to the higher rate of his food.
When anybody is just starting the process of cooking, I always say it takes practice, and nobody got to be a great cook on their first try.
It's nice to be in anything that anybody sees or likes. If it's something that has lasted, it's great.
I always give Calzaghe credit. He was a great fighter, really tough, unbeaten in 46 fights. He's never, ever given me any props at all. And for that I'd love to punch him in the face really hard.
You know, I've always wrote my best stuff when it takes me hardly any time at all. Actually I wrote.....this is actually a really funny story...'Ghost Of Vincent Price', I've been wanting to write a song about Vincent Price coz he's one of my favorite characters of all time.
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