A Quote by Christopher Nolan

We shouldn't be chasing other movies, but stay true to the tone of Man of Steel. — © Christopher Nolan
We shouldn't be chasing other movies, but stay true to the tone of Man of Steel.
So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. That’s the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
I've learned that you have to stay true to yourself from all the amazing people I've had the opportunity to work with thus far. You have to stay true to yourself and don't be afraid even though people may say what you're doing isn't cool or isn't right. I promise you, you will not regret it if you stay true to who you are and what you love to do because there is no other reason that I am up here today receiving this award.
We just don't want to repeat anything that we've done in the movies [X-man] or that we're going to do in the movies. There's so many stories to tell, we just want to stay out of each other's way.
It feels to me like 'Shazam' will have a tone unto itself. It's a DC comic, but it's not a Justice League character, and it's not a Marvel comic. The tone and the feeling of the movie will be different from the other range of comic book movies.
Yeah, I mean, I think I'm obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.
The sun hides not the ocean, which is the dark side of this earth, and which is two thirds of this earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true-- not true, or undeveloped. With books the same. The truest of all men was the Man of Sorrows, and the truest of all books is Solomon’s, and Ecclesiastes is the fine hammered steel of woe.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
The intellectual attainments of a man who thinks for himself resemble a fine painting, where the light and shade are correct, the tone sustained, the colour perfectly harmonised; it is true to life. On the other hand, the intellectual attainments of the mere man of learning are like a large palette, full of all sorts of colours, which at most are systematically arranged, but devoid of harmony, connection and meaning.
Yeah, because we wanted to go back to the original tone. It's one of the original movies like The Muppet Movie, Muppets Take Manhattan, The Great Muppet Caper. Those kinds of movies. So that was really important that we hit that tone and those have a lot of cameos in them and so Jason and I started asking people and everyone we asked just wants to do it.
No, I'll stay Ice-T. This is what got me here, I'm always going to stay true to that. If it weren't for hip-hop I wouldn't be doing all these other things.
I forgive 'Face in the Crowd' its uneven tone because it's precisely what makes it feel unlike other Kazan movies.
It's rare that movies can sort of capture the tone of life; movies always feel like they have to be one thing or another.
You take a look at what's happening to steel and the cost of steel and China dumping vast amounts of steel all over the United States, which essentially is killing our steelworkers and our steel companies. We have to guard our energy companies. We have to make it possible.
My life is about politics, a lot of about music, and a lot about things other than acting. I like traveling the world. But, what makes me want to stay in this business and keep doing this are movies when it's a true labor of love.
Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that were most effective on me as a viewer I think of the original Haunting and the Exorcist, Rosemary's Baby, the Sixth Sense, the Others. These movies are not over the top at all, they are movies that rely on good story telling, good acting, good premise, good exposition and I want to stay true to that in future projects.
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