A Quote by Christopher Nolan
It's not that often that you get to have a large commercial success and then have something that you want to do that you can excite people about.
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Despite whatever commercial kind of success you might have or radio success, I don't want to do something just to get as many people as possible to listen.
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
I don't care about commercial success. I get to do what I love and communicate whatever I want.
None of my movies have ever made any money, so it's not about commercial success for me. It's always the same thing. I want to create something valuable, something unusual and different that the world has never seen.
I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.
Often, if there's something that I want to do, but somehow can't get myself to do, it's because I don't have clarity. This lack of clarity often arises from a feeling of ambivalence - I want to do something, but I don't want to do it; or I want one thing, but I also want something else that conflicts with it.
What has helped me is my success in commercial cinema. It has given me a platform for others to cast me in their films. If I did not have the commercial success, then I wouldn't be able to do the smaller films.
The four basic ingredients for success are: you must have the will to want something; you must have the right kind of attitude; you must have perseverance, and then you must have wisdom. Then you combine these four and then you get to where you want to get to.
For Democrats to win, they're going to have to address the needs of working people. They're going to have to address the needs of the middle class. And that means standing up to Wall Street, standing up to the greed of corporate America. Even now and then, standing up to the media. And that means having a candidate who can excite working families, excite young people, bring them into the political process, create a large voter turnout.
When people have success, one of two things happen. They either get really satisfied and want to keep thinking about it and talking about what they did, or the success becomes a little addictive, and it makes them want to keep having more.
The audience got jaded, they want a hit, they want a big success, and so you don't want to experiment because you say, well, I'll disappoint the audience, they may not like it, I better do something that I think is more commercial.
When you walk into a store and you want to buy something, you give them cash and they sell it to you. But very often, you walk into our "store" and you want something - a credit card, maybe, or a loan - and very often the answer is "No," even if you're a large corporation.
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
I don't understand what A grade commercial cinema is. If you are talking about box office success, mine are A+ then!
I think, a lot of times, bands will break up because their goal is commercial success, and most bands aren't going to get that: it's out of their control. If you do, you're one of the lucky ones, but that commercial success will likely fade, and you'll end up breaking up anyway.
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