A Quote by Christopher Nolan

I've never read Joseph Campbell, and I don't know all that much about story archetypes. — © Christopher Nolan
I've never read Joseph Campbell, and I don't know all that much about story archetypes.
I believe that this idea of story or myth or this thing that Joseph Campbell writes about is sort of an inter-connective spiritual force - like The Force in 'Star Wars' - where it doesn't matter where you were raised, or what your background is, there are certain elements of story that totally appeal to you.
If you just read Joseph Campbell, who has written amazing books on mythology and religion, they all do come together at some point. There are some of the greatest stories that there have ever been in the Bible. All you have to do is read the book of Maccabi, it's like a film script.
I didn't learn much about writing at Sarah Lawrence, but I learned a lot about the sources of poems - dreams, myth, history - from the really great teachers, Joseph Campbell, Charles Trinkhaus, Bert Loewenberg, and a young Australian anthropologist named Harry Hawthorne.
I have a lot of spiritual books that I read that I really, really love - everything from the Bible to Joseph Campbell, who I love. He wrote The Hero of a Thousand Faces. It's about exploring what is heroic in you. It helps me a lot.
When I wrote my first album, I was reading Joseph Campbell - he's this philosopher who writes about mythology. That inspired the title, 'No Mythologies to Follow.'
I have a degree in cinema studies and the big paper I wrote at the end of that was about Judy Garland and Liza Minnelli. So I thought that I knew quite a bit about Judy Garland, but I read in passing that the Stonewall riots were a reaction to her death and I had never really read enough to know what that meant or how that could be true. I was interested in that I knew so much about Judy Garland, but I really didn't know this story.
'Journey' was very much inspired by Joseph Campbell's work for 'The Hero's Journey,' but, from among his works, I like 'The Power of Myth' best.
If you know your archetypes - and not just yours, if you know how to perceive the world in archetypes, through archetypes - everything changes. Everything. Because you have two things: you can see through one eye which is impersonal, and through the other, which is personal. That's the way the game is written down here.
My dad was just a big Joseph Campbell nut.
You know, I've read Joseph Conrad's 'Heart of Darkness' about fifteen times.
I started studying mythology, just on my own. Joseph Campbell, mysticism.
In any case, you read with exasperation or amusement the multiple errors in a story-and then turn the page to national or international affairs, and read with renewed interest as if the rest of the newspaper was somehow more accurate about far-off Palestine than it was about the story you just read. You turn the page, and forget what you know.
I've never read 'Pride and Prejudice and Zombies,' although I certainly know what that is. And what I love about that concept is as much as it's a zombie story, it's also 'Pride and Prejudice.'
I think with movies I am really connecting to the Joseph Campbell idea of the collective unconscious.
I must admit to being greatly influenced by Joseph Campbell's The Hero With a Thousand Faces.
You know, you can't give this unattainable superhero and expect people to identify with them. It's a cool story to read, but I never identified with Wonder Woman, until I read the story like, where she goes blind for a year and ends up in the underworld.
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