A Quote by Christopher Nolan

When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one. — © Christopher Nolan
When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.
We were working with this lousy print and it just wasn't going to be good enough. I said that we should get the original negative and do it from that. Well, a couple guys pointed out that the negative was locked up over at Deluxe.
We do like digital projection. We like shooting on film, finishing digitally, and projection digitally. That's what I like best. It's still a movie. It's not someone's camcorder and it got projected. That's mean, I know.
In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.
There's an obvious marketing component to doing something digitally where you're reaching out to new readers that you can't do in the existing print marketplace, or that it's difficult to do in the existing print marketplace.
I just hate digital. Looks ugly. Even if you were to shoot this anamorphic, which looks great, I just don't like it, it feels like video.
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.
The perpetuation of gangster rap has really put a negative image on the city of Compton... So I look forward to addressing that image, changing it and making it more accurate.
What you see and what you hear on YouTube and the News and all that, it's not what it looks like, it's not what it seems, it's not what it is. Most of the time when you look at somebody off of an image they've built, it's the exact reversal of whatever that image is.
I love when girls wear print-on-print. It looks so cool.
Evolution shows that in the long run, if the superior mixes with the inferior, the product is halfway between, and inferior to what you started with in the original superior group - in other words, mongrelized.
Body image - what we're supposed to look like - is made so unattainable that all girls are put in this position of feeling inferior. That's a horrible thing.
The nature and the DNA of IMAX has been redefined in the past years to shoot these huge blockbusters. But I think that it's not the sole purpose of IMAX to capture cars exploding in your face.
The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.
Let's be honest. You let yourself be pulled in because it felt good to be wanted, needed. But then it went too far, as projected images always do. If it's not a real image, but one that has been projected on to you, then you can keep up the masquerade for only so long before the mask cracks and the paint on the mask peels away.
The guerrilla band is not to be considered inferior to the army against which it fights simply because it is inferior in fire power.
What I love about IMAX is that, when you're in an IMAX theater, in a museum, science center or aquarium, it's eight stories tall and it's immersive, and you can see it in 3D, you really feel like you're being transported to that place.
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