A Quote by Christopher Poole
Because there's no structural barrier to joining 4chan, the community is really dynamic; for every five people that leave, five new people join, bringing their perspective and culture. A lot of other communities get set in their ways.
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As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.
I get nervous every single time. It doesn't matter if there're five people or five thousand. What I have noticed is that the more people there are, the less nervous I am. It's way harder to impress five people.
It's something we do every week. Every week kind of has bigger name headliners. It's all just our taste. There's a lot of people like Ian Edwards or Dan Mintz who a lot of people haven't heard of yet, but we know are really great. When we started the show five years ago it wasn't because Patton Oswalt needs another place to play. It was because we had a lot of new friends like BJ Novak or Morgan Murphy, who didn't have any club to play.
4chan's culture is unique and spreads and draws people in like no other. It's also important to realize that 4chan wasn't some overnight success, and there was never 'hockey stick' - like growth.
Seasteads are a technology for anybody to form an alternative community based on their unique values - for communities to organize themselves however they want. Seasteads are their chance to demonstrate their vision can work. All that matters is that people can create, join, and leave seasteads voluntarily. As long as people can choose among seasteads, the best ways of living together will prosper, and the ones that people don't like will fail.
I update my MySpace every day, I update my Facebook fan page, but that's about the extent of it. I don't want to get into extended conversations with people on MySpace, because there are friends I have extended conversations with every day. I'm on the phone every day. There's like five people I just call and yak with every single day. And that to me is my Internet. You can replace the Internet with five really smart friends.
It is a really bizarre feeling to perform for, like, five people. You get so much energy from an audience, and when it's just five quiet people at a table, that's not the same.
Instead of just hammering away at a song, I'll approach it from a million other angles. Sometimes I'll leave all my equipment set up and just turn on the TV for five minutes; sometimes I've gotta get out of the house. I don't think it every really leaves my head.
One thing I'm grateful for, and also surprised and excited about, is that I have a place in the community of comics now. In a real way. And I honor that. A lot of what I do is in support of the community and bringing new talent - talking to people that people don't know. And defining us as a community.
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
Why did I not join one of the top five clubs in Europe? Because I am no longer one of the top five players around, and neither are Inter among the five best clubs.
Is it different to come out now than it was to come out thirty-five years ago? Sometimes. But if you come out now and you come from poverty and you come from racism, you come from the terror of communities that are immigrant communities or communities where you're already a moving target because of who you are, this is not a place where it's any easier to be LGBT even if there's a community center in every single borough.
3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
The only chance for victory over the brainwash is the right of every man to have his ideas judged one at a time. You never get clarity as long as you have these packaged words, as long as a word is used by twenty-five people in twenty-five different ways. That seems to me to be the first fight, if there is going to be any intellect left.
People often expect that I should know a lot of things because I'm black. I don't really explain it to people, but it's like, I'm from Australia, my Mum's Aussie, and I grew up with five other Aussie brothers and sisters.
I don't do much recording anymore, but before I really stopped, I was glad to get five, five cent a record. That's why when I see people today and they complain about what they get, and I picked cotton for $2.50 a day.
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