A Quote by Christy Turlington
I've always loved those portraits that Alfred Stieglitz did of Georgia O'Keeffe over several years, which really convey the idea that there's not one image that can capture a woman, because we're changing all the time.
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Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon-everything belonged to the men who had the guns. . . . So you protected yourself and loved small. . . . A woman, a child, a brother-a big love like that would split you wide open in Alfred, Georgia. . . . To get to a place where you could love anything you chose-not to need permission for desire-well now, that was freedom
I recall an August afternoon in Chicago in 1973 when I took my daughter, then seven, to see what Georgia O’Keeffe had done with where she had been. One of the vast O’Keeffe ‘Sky Above Clouds’ canvases floated over the back stairs in the Chicago Art Institute that day, dominating what seemed to be several stories of empty light, and my daughter looked at it once, ran to the landing, and kept on looking. "Who drew it," she whispered after a while. I told her. "I need to talk to her," she said finally.
I don't need to be married to Georgia O'Keeffe or Lillian Hellman, but I like being with a woman I can look up to.
I think photography is closest to writing, not painting. It's closest to writing because you are using this machine to convey an idea. The image shouldn't need a caption; it should already convey an idea.
An empty frame, in which the picture is always changing, makes a statement about how time is always passing. It doesn't really stop, even in a single image. I t just feels that way.
I did make several trips to the very wonderful [Georgia] O'Keeffe museum. Besides the art (my favorite paintings are from her Pelvis series) my favorite thing about the museum is the architecture. I love how enormously tall the doors are - it is like going into a church. There is also something home-like about the layout of the museum. I wish I could live there!
I never knew [Alfred Stieglitz] to make a trip anywhere to photograph. His eye was in him, and he used it on anything that was nearby. Maybe that way he was always photographing himself.
I hope to work through disappointment and frustration with as much grace as [Georgia] O'Keeffe did, and I hope to have the same confidence in my own vision.
Yet [Georgia O'Keeffe ] always stayed true to her vision, and was at times uncompromising in following the path she saw for herself.
Over the years I always did some water colors, and I did a series of pictures of drawings. I always did it during a period of time that was slow in the photo business, but in essence it was always frustrating because I'd get started, and then it would be time to get back to work and I wouldn't get anywhere with the painting.
The idea that a book can advise a woman how to capture a man is touchingly naive. Books advising men how to capture a woman are far less common, perhaps because few men are willing to admit to such a difficulty. For both sexes, I recommend a good novel, offering scenarios you might learn from, if only because they reflect a lot of doubt.
I read letters and journal entries by [Georgia] O'Keeffe (which were infinitely more useful than any critical analysis of her work).
We'd make love. Afterwards he would take photographs of me. (On modeling for Alfred Stieglitz)
I have been dairy free for several years, and I started because I felt it was going to reduce my allergies, which it did, and help me lose weight, which it did.
When you invade Grenada, or when you invade Panama to capture a disreputable person, or when you bomb the Bosnia area, you can always find justification for those military actions, but it's really surprising how many times in those 25 years - that's a long time - the United States has interceded, I wouldn't say most of the time militarily, but a lot of those have been military actions.
I am tired of the cult of youth. The cultural rejection of old age, the stigmatization of wrinkles, grey hair, of bodies furrowed by the years. I am fascinated by Diana Vreeland, Georgia O’Keeffe and Louise Bourgeois, women who have let time embrace them without ever cheating. Society today condemns this, me, I celebrate it.
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