A Quote by Christy Turlington

I think each woman has her own relationship to beauty. — © Christy Turlington
I think each woman has her own relationship to beauty.
Personalized beauty is about each woman being able to create her own makeup routine that complements her coloring and style.
The point I wish plainly to bring before you on this occasion is the individuality of each human soul--our Protestant idea, the right of individual conscience and judgment--our republican idea, individual citizenship. In discussing the rights of woman, we are to consider, first, what belongs to her as an individual, in a world of her own, the arbiter of her own destiny, an imaginary Robinson Crusoe with her woman Friday on a solitary island. Her rights under such circumstances are to use all her faculties for her own safety and happiness.
The beauty of a woman is not in a facial mode but the true beauty in a woman is reflected in her soul. It is the caring that she lovingly gives the passion that she shows. The beauty of a woman grows with the passing years.
The beauty of a woman transcends all other forms of beauty, as well in the sweetness of its suggestions, as in the fervor of the admiration it awakens. The beauty of a lovely woman is an inspiration, a sweet delirium, a gentle madness. Her looks are love-potions. Heaven itself is never so clearly revealed to us as in the face of a beautiful woman.
Some say that I was once uncommonly beautiful, but I wouldn't wish beauty on any woman who has not her own freedom, and who chooses not the hands that claim her.
The vainest woman is never thoroughly conscious of her beauty till she is loved by the man who sets her own passion vibrating in return.
Standards of beauty describe in precise terms the relationship that an individual will have to her own body. They prescribe her mobility, spontaneity, posture, gait, the uses to which she can use her body. They define precisely the dimension of her physical freedom and psychological development, intellectual possibility, and creative potential is an umbilical one.
I don't think the world is the way we like to think it is. I don't think it's one solid world, but many, thousands upon thousands of them--as many as there are people--because each person perceives the world in his or her own way; each lives in his or her own world. Sometimes they connect, for a moment, or more rarely, for a lifetime, but mostly we are alone, each living in our own world, suffering our small deaths.
I create for each individual woman to reflect her definite sense of personal style and unique beauty
Seeing my mother struggle with her weight confused me: I looked at her and thought she was beautiful, she was my mom. And this woman, who I looked up to everyday, couldn't see her own beauty?
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
The most stupendous system of organized robbery known has been that of the church towards woman, a robbery that has not only taken her self-respect but all rights of person; the fruits of her own industry; her opportunities of education; the exercise of her judgment, her own conscience, her own will.
A vital Christian, radiating that hidden beauty of the heart, is more attractive to the right sort of Christian man (the only kind you want) than the raving beauty who is hollow within. A woman who is developing her domestic abilities, who is reasonably attractive, and who is a vital Christian in her own right is an irresistible person.
The Victorian woman became her ovaries, as today's woman has become her "beauty.
True feminine beauty is not a complicated formula involving hundreds of rules to remember. It is not something that requires spending two years at finishing school or being groomed as a beauty pageant queen. It is the natural byproduct of a young woman who has emptied herself, given up her own life, and allowed God's Spirit complete access to every dimension of her inner and outer life.
"The Invisible Woman" was about trying to show this conflict in [Nelly Ternan] woman truthfully, between her own identity, but also being in love with someone who I think made very high demands from her.
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