A Quote by Chuck Jones
In timing a film, we used to assume that sneaks move slowly. This was great for animators-thirty-six to forty-eight drawings for a single step-but it was sheer hell for the pace of the picture. So the rapid tiptoe was invented.
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I am a rapid-cycling manic-depressive, bi-polar one disorder, which means I can have thirty or forty episodes a year, and I used to have thirty to forty episodes a year.
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
The Pawn move is a capital investment. Every one of the forty-eight should, from the beginning, be spent as if it were one of the last forty-eight apprehensive and responsible dollars between yourself and starvation.
Pace, rhythm and timing. Pace, rhythm and timing is what it's about. The content's got to be great, but then it's got to be delivered. It's a tricky thing to do, and it takes a lot of work.
Over the long term, it's hard for a stock to earn a much better return that the business which underlies it earns. If the business earns six percent on capital over forty years and you hold it for that forty years, you're not going to make much different than a six percent return - even if you originally buy it at a huge discount. Conversely, if a business earns eighteen percent on capital over twenty or thirty years, even if you pay an expensive looking price, you'll end up with one hell of a result.
From the moment I was six I felt sexy. And let me tell you it was hell, sheer hell, waiting to do something about it.
Yeah I'm thirty-six, but on the show I'm thirty-two. Nobody wants to watch a thirty-six year old woman, so they decided to make me thirty-two. Much more appealing somehow.
A review of seventy-four clinical trials of antidepressants, for example, found that thirty-seven of thirty-eight positive studies [that praised the drugs] were published. But of the thirty-six negative studies, thirty-three were either not published or published in a form that conveyed a positive outcome.
Surrender is the quantum leap from mind to no-mind, from ego to egolessness. And in a single step the whole journey is contained. It is not a long journey from you to God, it is a single-step journey. It is not a gradual phenomenon; it is not that slowly slowly, gradually you come to the divine. It is a quantum leap! One moment you were in darkness and the next moment all is light. All that is needed is to put the ego aside.
If you don't start your career until thirty, that still gives you thirty-five years to make it professionally. If you can't make it in thirty-five years, you weren't going to make it in forty or forty-five.
When I was thirty and perhaps forty, I did not want a wife. It was too much fun being single.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace. So, it's about adjusting to the pace. It's not meant for everybody.
All new tools are useful to animators, but great animation comes down to great animators.
It used to take us six days to film an hour of 'Gunsmoke.' But I didn't mind the fast pace of soap opera work. It was nice being able to shoot scenes in sequence. We couldn't do that on 'Gunsmoke.'
With my own cartoon, it was just me being goofy by myself, but when it comes to an animated film, you're working with 45 animators and assistant animators. It's a whole different ballgame.
Dried oregano has thirty times the brain-healing antioxidant power of raw blueberries, forty-six times more than apples, and fifty-six times as much as strawberries, making it one of the most powerful brain cell protectors on the planet.
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