A Quote by Chuck Jones

If you were to draw Bugs, the easiest way is to learn how to draw a carrot and then hook a rabbit onto it — © Chuck Jones
If you were to draw Bugs, the easiest way is to learn how to draw a carrot and then hook a rabbit onto it
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
And then, well . . . He might have slept for a bit. He rather hoped he was sleeping, because he was quite certain he’d seen a six-foot rabbit hopping through his bedchamber, and if that wasn’t a dream, they were all in very big trouble. Although really, it wasn’t the rabbit that was so dangerous as much as the giant carrot he was swinging about like a mace. That carrot would feed an entire village.
A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw.
The women I draw all have the same sort of personality. I can't draw gentle girls; I only know how to draw ones who are strong-willed.
I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If in your bold creative way you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
a good writer should draw the reader in by starting in the middle of the story with a hook, then go back and fill in what happened before the hook. Once you have the reader hooked, you can write whatever you want as you slowly reel them in.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
You have to face reality, and coming off 4-12, you're not going to be the national draw you were previously. But for 13 years, we were a pretty good draw.
One must always draw, draw with the eyes, when one cannot draw with a pencil.
The best way to study is to go to the Cecchetti method for about a year and draw onto all the highest points and then put that into the general method.
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