A Quote by Chuck Jones
Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about.
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I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
I was like, "This is a new thing that the gay people have decided? That's the gayest thing I've ever heard in my life." You can't do that. You can't decide that a word is forbidden now collectively amongst your group of human beings, that the word is a slanderous evil nasty word about homosexuals. It's not, the word doesn't mean that. And sometimes it's a good word to use in comedy. That's what your friend has to realize when he's at a bar just yelling out the word.
He burst into one of his rare fits of laughter as he turned away from the picture. I have not heard him laugh often, and it has always boded ill to somebody.
The life of a film is very strange. Once the film is done, you wish you could forget about it and move on.
When I heard about the first Tomb Raider, I was very interested and I would have liked to have directed that. When I was approached for the second film, I was delighted.
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.
The audience bursts into laughter. With the tragic gag I don't expect the audience to laugh (if they do, I have failed) but I expect a black silence from them that is almost as violent: as laughter.
Success means being heard and don't stand there and tell me that you are indifferent to being heard. You may write for the joy of it, but the act of writing is not complete in itself. It has to end in its audience.
All my movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds.
In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience.
And life goes on, which seems kind of strange and cruel when you're watching someone die. But there's a joy and an abundance of everything, like information and laughter and summer weather and so many stories.
We put in all the great ideas that can be brought into the film [Doctor Strange] in the service of introducing the world to an audience who's never heard of it and doesn't know it from a hole in the wall. And we thought that an inter-dimensional girlfriend that's the daughter of an inter-dimensional demon-esque creature was a step too far in introducing this world.
I realize now that I was a feminist and the minute I heard the word I certainly knew it meant me, but at that time I don't think we had the label yet. But there's no doubt about it that I was born a feminist.
It was a house for those who could not take care of themselves, for those who heard voices, who had strange thoughts and did strange things. The house was meant to keep them in. Once they came, they never left.
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