A Quote by Chuck Jones

Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter. — © Chuck Jones
Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter.
Styles be fat like Jackie Gleason, the rest be Art Carney.
Young stand-ups, we ought to do comedy in George Carlin's spirit, in Richard Pryor's spirit, in Jackie Gleason's spirit, in Lucille Ball's spirit, because they did it with the spirit.
Comedy is a difficult thing for a critic, as, unlike all other art-forms, it has an inbuilt success-o-meter: laughter. Therefore, there's no real need for critics.
The only honest art form is laughter, comedy. You can't fake it.
I was in love with a lot of people, because I was a student of the game of comedy - Carol Burnett, Jack Benny, Red Skelton, Jackie Gleason, Don Rickles, Red Foxx, Moms Mabley - who gets no credit, Richard Pryor, Bill Cosby, George Kirby. I loved them all, and I used to just take a page out of all of them.
Life is dramatic and comedic at times. Sometimes in the most dramatic situations, there is comedy. And good comedy comes from a sense of reality.
Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.
How could you get angry with Jackie Gleason?
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.
While I love working on dramatic characters and stories, it's comedy that I love the most. For me, it's incredibly rewarding to make a person laugh. Laughter is one of the greatest parts of life.
The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.
It was a bit of a lark when I agreed to do [Smokey and the Bandit], and I knew we'd have fun if we could get Jackie Gleason.
I wound up signing to RCA Victor as a trumpeter, guesting on shows like Jackie Gleason's Honeymooners.
What makes a comedian has nothing to do with religion. Think of Red Skelton, Jimmy Durante, Jackie Gleason, who were all Catholics.
The stage has a certain discipline. But the ultimate standard is more exacting in film, because you have to see yourself and you are your own toughest critic.
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